Kateryna Lysovenko’s vision anchored the Kyiv Biennial.
"Vienna in late November recalls Franz Schubert’s
Death and the Maiden quartet. It’s dark — bleak even — akin to time spent with the stereo and the lights down on a gray drizzly day. Austria’s capital city is synonymous with classical music, having been home in the late 1700s and early 1800s to Haydn, Mozart, Beethoven, and Schubert. It is also a city brimming with galleries, coffeehouses, and ghosts, a place where early-20th-century artists, writers, philosophers, and political radicals once gathered — including Gustav Klimt, Stefan Zweig, Sigmund Freud, Ludwig Wittgenstein, Leon Trotsky, and Adolf Hitler, a second-rate painter twice rejected by the local academy of fine arts. Then, as now, beware the failed artist. Rejection goosed by resentment stirs up shitstorms capable of turbocharging revanchist aesthetics of the most hateful sort. ... Alongside these and other markers of urbanistic excellence, there survives an urgent if temporary effort to examine the fragility of civilization amid the glittering heart of contemporary Europe: the 2023 edition of the Kyiv Biennial. ..."
In Vienna, the De Ne De Collective filled a gallery with pieces of a shattered chandelier from a destroyed cinema.
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