“It is a truism that the African elements in jazz's rhythmic language are often delivered with a Hispanic accent. In New Orleans, regarded by many as the northernmost outpost of the Caribbean, as well as in Cuba, slaves and former slaves from West Africa maintained their percussion traditions, mixing ritual drumming with other elements from Spanish music. ... But no event was more significant, or more fruitful, for jazz's Latin tinge than Dizzy Gillespie's hiring, in 1947, of the great Cuban conga drummer Luciano (Chano) Pozo, a fiery, electrifying performer and composer who was, arguably, more responsible than any other musician for establishing the playing field for Afro-Cuban jazz and, later, what became known as salsa. ... Now a three-CD set, ''Chano Pozo: El Tambor de Cuba'' (Tumbao Cuban Classics TCD 305), charts the career of the elusive Pozo and, along the way, illustrates the connection between American jazz, African rhythms and Cuban music in fascinating detail and with undeniable authority. ...”
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