"The art of audio engineering is mostly a dark one, an alchemy performed behind closed studio doors by people who speak a technical language most of us don’t recognize. That is until recently. ... But with the democratization of recording technology, I fear we may begin to forget what really great, really expensive, audio engineering sounds like, an unheard-of consideration in the fifties and sixties, when the process may as well have been magic to most record buyers, and when engineer Rudy Van Gelder recorded some of the greatest—and best sounding—jazz albums ever made. A Love Supreme? That was Van Gelder. Also Miles Davis’ Walkin’, Herbie Hancock’s Maiden Voyage, Sonny Rollins’ Saxophone Colossus, Horace Silver’s Song for My Father… Dexter Gordon, Donald Byrd, Wayne Shorter, Art Blakey…. You’re getting the idea. ..."
Open Culture (Video)
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