"The curtain opens on a set consisting of a twenty-foot-high hill of red silk flowers in one corner, an image that alludes to Hong Kong region's geography, as well as to the impending onslaught of Bauschian imagery. It is morning. A young girl greets us, repeating 'Hello, good morning' with a saccharine smile, while others go through the mundane actions of shaving, dressing, and fixing their hair with a synchronization and smoothness that elevates the actions to dance. One desperate soul attempts to please her guests--the audience--by offering coffee, food, or soft drinks. A lone window washer attemps a ludicrous task: behind a reflective sheet of plastic, suspended in a seat with squeegee and pail, he trys to keep the glass surfaces of Hong Kong's glimmering neon cityscape free of grime and glare. His lonely toil, contrasted with his later appearances as a well-dressed, pipe-smoking, poodle-toting gentleman, reminds us of the gap between rich and poor, worker and dandy. - Kelly Hargraves"
Stanford
Tanztheater Wuppertal
Sanjoy Roy
WhatsOnStage
British Theatre Guide
theartsdesk
youku: Der Fensterputzer 28:00
2008 May: Pina Bausch, 2009 June: Pina Bausch 1940-2009, 2012 August: Pina Bausch Costumes.
No comments:
Post a Comment