"... Human degradation, especially what men do to women, but also the infinite capacity of all peoples to harm themselves, is, in the end, Miss Bausch's underlying theme. 'Palermo, Palermo' is low on the simulated or actual violence that has made Miss Bausch controversial in the past. She has learned to inflict pain without striking. In one of the most forceful and resonant passages, a group of men in black suits rushes in carrying Beatrice Libonati, as uninhibited a Bausch veteran as any. They support her as they place a bottle of mineral water between her knees. The water pours out as immediately as the image of humiliation."
NYT: Pina Bausch's 'Palermo, Palermo' Explores a World Beyond Logic, September 30, 1991
Telegraph: Pina Bausch: Palermo, Palermo, Sadler’s Wells, review
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