"In 1992, I went to Paris to see some movies that weren’t turning up on these shores, at least not as quickly as I wanted them to. At the time, it meant something particular to be going to Paris to see movies. Paris meant 'cinema' and all that the term implied, as distinct from movies or film. To a certain extent, it still does. And cinema meant a response to the world, as opposed to a distraction from it, an engagement with the present and the past, historical and aesthetic—in essence, a dismantling of the barrier between the two."
Criterion, (1)
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