Cutting Wharf I, 2007
"They seem to be more related to the earliest photography in their romantic static's. Theses in faded yellow dipped landscapes, mostly taken in France and Italy, are in strange kind of transition; all the details are correct, nothing has been retouched, but still everything seems to be unreal and remote."
Elger Esser
"They seem to be more related to the earliest photography in their romantic static's. Theses in faded yellow dipped landscapes, mostly taken in France and Italy, are in strange kind of transition; all the details are correct, nothing has been retouched, but still everything seems to be unreal and remote."
Elger Esser
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