2014 March: John Ruskin
Modern Painters - John Ruskin (1843–1860)
Saint John Coltrane: The San Francisco Church Built On A Love Supreme
2011 November: John Coltrane Quartet, Live at Jazz Casual, 1963, 2012 March: John Coltrane 1960 - 1965, 2012 September: "Naima" (1959), 2012 October: Blue Train (1957), 2013 April: The World According to John Coltrane, 2013 November: A Love Supreme (1965), 2014 July: New Photos of John Coltrane Rediscovered 50 Years After They Were Shot, 2014 November: Coltrane’s Free Jazz Wasn’t Just “A Lot of Noise”, 2015 February: Lush Life (1958), 2015 May: An Animated John Coltrane Explains His True Reason for Being: “I Want to Be a Force for Real Good”, 2015 July: Afro Blue Impressions (2013), 2015 September: Impressions of Coltrane, 2015 December: Giant Steps (1960), 2016 January: Crescent (1964), 2016 April: The Church of Saint John Coltrane, 2016 July: Soultrane (1958), 2016 December: Dakar (1957), 2017 July: The John Coltrane Record That Made Modern Music, 2017 October: Live at the Village Vanguard (1962), 2017 December: Interview: Archie Shepp on John Coltrane, the Blues and More, 2018 March: Cannonball Adderley Quintet in Chicago (1959), 2018 June: Lost John Coltrane Recording From 1963 Will Be Released at Last, 2018 July: Stream Online the Complete “Lost” John Coltrane Album, Both Directions at Once, 2018 November: Jazz Deconstructed: What Makes John Coltrane’s “Giant Steps” So Groundbreaking and Radical?, 2020 January: John Coltrane’s Handwritten Outline for His Masterpiece A Love Supreme
Paul Delaroche - The Execution of Lady Jane Grey (1833)
Jardin des plantes
Scanner Modulates the Source
2012 October: Scanner, 2015 December: Robin Rimbaud (Scanner), 2017 September: The Great Crater (2017), 2018 January: Podcast 523: Scanner, 2019 September: scanner - Unearthly Powers (2019), 2020 May: Tonspur: Artists in Isolation Live
The Universal Appeal of Buzzcocks’ “Ever Fallen in Love” Image
2017 May: Singles Going Steady (1979)
Il Maestro By Martin Scorsese: Federico Fellini and the lost magic of cinema
2017 March: Roma (1972), 2017 September: Fellini Satyricon (1969)
Fania Records
“Fania Records is a New York based record label founded by Dominican-born composer and bandleader Johnny Pacheco and Brooklyn born Italian-American ex-New York City Police Officer turned lawyer Jerry Masucci in 1964. The label took its name from a popular luncheonette frequented by musicians in Havana, Cuba that Masucci frequented when he worked for a public relations firm there during the pre-Castro era. Fania is known for its promotion of Salsa music. Frustrated by the meager amount of money he was receiving for his recordings, Pacheco started Fania in 1964 and sold records to music stores out of the trunk of his car. ... Among Fania's signature stars are: Willie Colon, Celia Cruz, Eric Gale, Larry Harlow, Ray Barretto, Ralfi Pagan, Luis ‘Perico’ Ortiz, Bobby Valentín, Rubén Blades, Héctor Lavoe, Cheo Feliciano, Adalberto Santiago, Ismael Miranda and many others. ...”
YouTube: Fania Vinyl Sets (ft DJ Turmix) - SALSA 30:17, Boogaloo #1 28:59, Boogaloo #2 31:07, Boogaloo #3 31:02, Boogaloo #4 27:26, Latin Funk 28:38
2011 November: Charlie Palmieri, 2014 March: Harlem River Drive - Harlem River Drive (1971), 2014 October: Fania at Fifty, 2017 December: Nu Yorica: Culture Clash In New York City - Experiments in Latin Music 1970-77, 2018 December: Latin Underground Revolution: Swinging Boogaloo, Guaguanco, Salsa & Latin Funk from New York City 1967-1978, 2017 June: Eddie Palmieri - Unfinished Masterpiece (1976), 2018 July: The Soul Of Spanish Harlem / El Barrio: Sounds from the Spanish Harlem Streets, 2011 June: Mario Bauzá, 2017 June: Rhythm & Power: Salsa in New York, 2012 February: Rubén Blades, 2017 December: Carlos Vera: Barcelona's Boogaloo: Mixes and Mashups, 2019 April: An NYC Mambo, Boogaloo and Salsa Family Tree, 2019 October: Best Fania Samples: 20 Latin Grooves That Helped Build Hip-Hop
The Society of Mind - Marvin Minsky (1986)
First They Guarded Roger Stone. Then They Joined the Capitol Attack.
Narcisse-Virgilio Díaz de la Peña, The Storm, 1871
Horse Money - Pedro Costa (2015)
2010 May: Pedro Costa, 2020 October: Vitalina Varela (2019)
David Macaulay: Building A Mill Town
Harry Sword - Monolithic Undertow
Scientist – ...The Dub Album They Didn't Want You To Hear!
the artwork - Oral History: Barbara Kruger
2008 February: Barbara Kruger, 2013 February: The Globe Shrinks, Barbara Kruger, 2014 June: Barbara Kruger at Modern Art Oxford
Carl Jung: Tarot Cards Provide Doorways to the Unconscious, and Maybe a Way to Predict the Future
Impeachment Trial Updates: Prosecution Recreates Capitol Riot Using Explicit, Never-Before-Seen Video
The Sopranos Sessions - Matt Zoller Seitz, Alan Sepinwall (2019)
Jeannine Schulz’s “Rooms and Surfaces I”
“Here’s another fine piece from Jeannine Schulz, whose ’Intense’ I wrote about earlier this week. Like that track, this new one, posted just today, ‘Rooms and Surfaces I,’ shows an internal development, a means of altering over time, that is often lacking in standalone SoundCloud ambient recordings. What makes it so special to listen to is how that change occurs according to some unheard metronome, in phases whose distinct qualities are imperceptible as they shift, but are fully recognizable when you scan through the piece, dropping the metaphoric needle here and there: first the rising drones, then heart-pulsing percussion, then that same rhythm rendered as a glitch-like filter, later a halo effect an octave higher, then an octave higher still, then a cello-like line slow and mournful. ...”
A forgotten artist and the city’s ‘terrible beauty’
“Glenn O. Coleman’s career as a celebrated Gotham illustrator and painter was a short one. Born in Ohio in 1887, he grew up in Indiana and arrived in Manhattan in 1905 to attend the New York School of Art, studying under Robert Henri and Everett Shinn. Coleman earned a name for himself in the 1910s and 1920s city art scene with ‘personal depictions of simple, struggling humanity,’ as the Spellman Gallery put it. His illustrations (some of which he made into lithographs) and paintings reflected the subject matter of his Ashcan teachers: Bowery bums, election night bonfires, slum kids, cops, criminals, ‘silk-hatted tourists,’ bar stool sitters, and other denizens of Lower Manhattan’s pockets and corners, typically at night. ...”
Stambali: the last dance with the spirits
Ronald Shannon Jackson & The Decoding Society - Mandance (1982)
Life on Venus? The Picture Gets Cloudier
“A team of astronomers made a blockbuster claim in the fall. They said they had discovered compelling evidence pointing to life floating in the clouds of Venus. If true, that would be stunning. People have long gazed into the cosmos and wondered whether something is alive out there. For an affirmative answer to pop up on the planet in the orbit next to Earth’s would suggest that life is not rare in the universe, but commonplace. The astronomers, led by Jane Greaves of Cardiff University in Wales, could not see any microscopic Venusians with their telescopes on Earth. Rather, in a paper published in the journal Nature Astronomy, they reported the detection of a molecule called phosphine and said they could come up with no plausible explanation for how it could form there except as the waste product of microbes. ...”
Take a Road Trip with Cyberspace Visionary William Gibson, Watch No Maps for These Territories (2000)
2010 September: Cyberpunk, 2010 October: Bruce Sterling, 2011 July: William Gibson, 2015 May: Mirrorshades: The Cyberpunk Anthology - edited by Bruce Sterling (1986), 2015 July: A Global Neuromancer, 2016 May: The Difference Engine - William Gibson and Bruce Sterling (1990), 2017 August: Sprawl trilogy, 2019 February: Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science - Edited by Larry McCaffery (1992), 2019 December: How William Gibson Keeps His Science Fiction Real, 2020 May: We’re on the Brink of Cyberpunk, 2020 August: The Origins of Sprawl
A Natural Work of Art May Be Hiding Among Indian Cave Masterpieces
“Ten thousand years ago or more, people started painting the walls of caves near Bhopal, India. Over the millenniums they made thousands of images in what are now called the Bhimbetka Rock Shelters: men, women, a couple having sex, dancers, children, hunts, battles, about 29 different animal species and mythical beasts like a part-boar part-ox part-elephant. Over time, art styles shifted. Human figures donned clothes. Horses and elephants sprouted riders. Wars danced across sandstone faces. Today, many of the cave walls are now palimpsests, with medieval warriors covering Chalcolithic art on top of even older Mesolithic drawings. ...”