Narcisse-Virgilio Díaz de la Peña, The Storm, 1871

 

“This brooding landscape was painted in the wake of the defeat of France by Prussia, at a time of national crisis and soul-searching. You can see it in that low, heavy, apocalyptic sky. Díaz had Spanish parents but they died when he was a child and he grew up in Paris. He was part of a pioneering landscape school who liked to paint around Fontainebleau, mixing emotional romanticism with rough on-the-spot realism. This is a haunting example of his poetic feel for the gusts and vapours of the changing woods and fields.“

National Gallery

W - Narcisse-Virgilio Díaz de la Peña

Horse Money - Pedro Costa (2015)

 

“’We’ll keep on falling from the third floor. We’ll keep on being severed by the machines. Our head and lungs will still hurt the same… We’ll be burned… We’ll go crazy. It’s all the mould in the walls of our houses… We have always lived and we will always die like this. It’s our sickness.’ This is how one of a congregated group of Cape Verdean immigrant labourers describe their lot in Pedro Costa’s Horse Money, a film that might be subtitled ‘A Universal History of Poverty’. Costa’s film begins with an overture of images by the Danish-American photographer Jacob Riis, showing the bare, stifling tenements of New York City a century ago, yet not so far from the scenes in the Fontainhas slums in Lisbon to which Costa has returned time and again. This precedes Horse Money’s ‘contemporary’ narrative, which begins with Costa’s star and muse Ventura, wearing nothing but a pair of red briefs, descending a gloomy stairwell into the bowels of what at first looks like a stone-walled medieval dungeon, though from one shot to another it may change to appear as a clean, modern hospital. ...”

Sight & Sound

Film of the Week: Horse Money

Horse Money: An Interview with Pedro Costa

Pedro Costa on the Mysteries of ‘Horse Money,’ Films About Forgetting, and Bart Simpson

W - Horse Money

YouTube: HORSE MONEY - New UK trailer

2010 May: Pedro Costa, 2020 October: Vitalina Varela (2019)

Pedro Costa

David Macaulay: Building A Mill Town

 

“The Heritage Winooski Mill Museum is pleased to present a selection of David Macaulay’s original illustrations of mill town landscapes and waterpower technology from his book MILL (1983). Pages from the authors sketch book show his process for researching and developing both the storyline and images for the fictional mill town of Wicksbridge. Through his detailed studies of the mechanics and architecture of real historic mills, Macaulay's illustrations brings us on a journey through time to gain a deeper understanding of how New England mill towns evolved. As you look through the exhibit, you may notice some similarities to the Champlain Mill and other mill structures in the Winooski mill district and Vermont. ...”

The Mill Museum (Video)

Burlington's Manufacturing Heritage along the Winooski River

W - Winooski Falls Mill District

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Harry Sword - Monolithic Undertow

 

“... Many ancient instruments – didgeridoo, bullroarer, carnyx – produced sustained tones, while the ancient Greeks evoked the delirium of Dionysus with the drone of the Aulos pipes. Indeed, religious practice all over the world, from the sacred Buddhist Om to haunting Gregorian chant, continues, as it has done for centuries, to centre the drone as a sonic enabler of meditative transcendence. In Monolithic Undertow, I trace the drone from those ancient beginnings through the 20th century, where it underpinned sounds of many divergent persuasions – not limited to the New York minimalist ley line that linked the Theatre of Eternal Music to the Velvet Underground; the vital influence of Ravi Shankar’s sitar drone on the ecstatic jazz of Alice Coltrane and the Beatles nascent psychedelic experiments; the punk axis that leads from the Stooges to Sonic Youth; and the physical metallic bass weight of Earth and Sunn O))). ...”

Guardian - No drone unturned: tracing the sound that unites ancient and modern (Video)

Harry Sword brings Monolithic Undertow to White Rabbit

audible (Audio)

Scientist ‎– ...The Dub Album They Didn't Want You To Hear!

 

“King Tubby protege Scientist knew a thing or two about dubbing in the '70s and '80s - he knocked out enough albums to prove the point, most of which were dark chest-rumbling escapades beyond the mixing desk borne out of street dances and smoke-filled bars. Jah Life, King Tubby, Radics and Scientist himself became synonymous with hard-hitting studio sessions, both for themselves and as guest mixers for reggae royalty. One lesser-known artist was the no-less important Flick Wilson whose School Days album forms the basis of the dubs here. Culled from various 1980's sessions and studio lock-ins, The Dub Album They Didn't Want You To Hear is an exemplary exercise in authentic Jamaican roots-reggae enriched by Scientist's deft manipulation of mixing-desks and echo-chambers - the man's a monster. ...”

Peek-a-Boo

Discogs (Video)

YouTube: The Dub Album They Didn't Want You To Hear

the artwork - Oral History: Barbara Kruger

 

“What started out as a protest poster rejected by the organisers of a women’s-rights march on Washington DC in 1989 went on to become an iconic 20th-century artwork. Transcending politics, national borders and the logistics of fly-posting, Barbara Kruger’s ‘Untitled (Your Body Is a Battleground)’ is now an internationally recognised call to arms for social justice in all its diversity. This is the story of the making of an American masterpiece. ...”

the gentlewoman

2008 February: Barbara Kruger, 2013 February: The Globe Shrinks, Barbara Kruger, 2014 June: Barbara Kruger at Modern Art Oxford

 

The campaign: “Untitled (Your Body Is a Battleground)” poster fly-posted in New York City, 1989.

Carl Jung: Tarot Cards Provide Doorways to the Unconscious, and Maybe a Way to Predict the Future

 

“It is generally accepted that the standard deck of playing cards we use for everything from three-card monte to high-stakes Vegas poker evolved from the Tarot. ‘Like our modern cards,’ writes Sallie Nichols, ‘the Tarot deck has four suits with ten ‘pip’ or numbered cards in each…. In the Tarot deck, each suit has four ‘court’ cards: King, Queen, Jack, and Knight.’ The latter figure has ‘mysteriously disappeared from today’s playing cards,’ though examples of Knight playing cards exist in the fossil record. ... The eminent psychiatrist Carl Jung, however, might have done so. ...”

Open Culture

Impeachment Trial Updates: Prosecution Recreates Capitol Riot Using Explicit, Never-Before-Seen Video

 

“House Democrats prosecuting former President Donald J. Trump on Wednesday showed disturbing, never-before-seen video footage of his supporters rampaging into the Capitol last month and searching for former Vice President Mike Pence and Speaker Nancy Pelosi to harm or even kill them. In powerful images played for a silent, sober Senate chamber, the House managers put the horror of the Jan. 6 siege on vivid display as rioters smashed their way into the building, overwhelmed police officers and marched through the halls seeking to stop the counting of the Electoral College votes and hunt down those perceived as Mr. Trump’s antagonists. The footage from Capitol security cameras showed Mr. Pence, who alienated Mr. Trump’s supporters by refusing to try to overturn the election, being rushed by Secret Service officers down a staircase to escape invaders calling for his death. Ms. Pelosi’s staff members were shown barricading themselves into an office just minutes before the mob arrived and tried to break down the door. ...”

NY Times (Video)

The Sopranos Sessions - Matt Zoller Seitz, Alan Sepinwall (2019)

 

“... This is how David Chase, the creator of The Sopranos, described the legacy of his most famous body of work to Matt Zoller Seitz and Alan Sepinwall during one of the many coffee-house round-tables they convened for The Sopranos Sessions, a weighty tome –  filled with recaps, discussions, dissections, analyses, insights, and interviews – being released this week to coincide with the twentieth anniversary of the transmission of the show’s first episode. Chase’s shoot-from-the-hip, fatalistic world-view is often a dead ringer for that of his most famous fictional creation’s, depressed mob boss Tony Soprano. Tony would almost certainly have assessed his own existence in the same terms as Chase does the show’s. Namely: ‘It’s all a big nothing.’ ...”

The Sopranos Sessions Review: A 5-Star Tribute to a 5-Star Show

Does Tony Live or Die at the End of The Sopranos?

[PDF] The Sopranos Sessions

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2020 July: The Sopranos - Season 1, 2020 July: Season 2, 2020 August: Season 3, 2020 August: Season 4, 2020 September: Season 5, 2020 December: Season 6

Jeannine Schulz’s “Rooms and Surfaces I”

 

Rooms, Surfaces And A Painting

“Here’s another fine piece from Jeannine Schulz, whose ’Intense’ I wrote about earlier this week. Like that track, this new one, posted just today, ‘Rooms and Surfaces I,’ shows an internal development, a means of altering over time, that is often lacking in standalone SoundCloud ambient recordings. What makes it so special to listen to is how that change occurs according to some unheard metronome, in phases whose distinct qualities are imperceptible as they shift, but are fully recognizable when you scan through the piece, dropping the metaphoric needle here and there: first the rising drones, then heart-pulsing percussion, then that same rhythm rendered as a glitch-like filter, later a halo effect an octave higher, then an octave higher still, then a cello-like line slow and mournful. ...”

disquiet (Audio)

SoundCloud (Audio)

Bandcamp (Audio)

Tides

A forgotten artist and the city’s ‘terrible beauty’

 

“Downtown Street,” 1926

“Glenn O. Coleman’s career as a celebrated Gotham illustrator and painter was a short one. Born in Ohio in 1887, he grew up in Indiana and arrived in Manhattan in 1905 to attend the New York School of Art, studying under Robert Henri and Everett Shinn. Coleman earned a name for himself in the 1910s and 1920s city art scene with ‘personal depictions of simple, struggling humanity,’ as the Spellman Gallery put it. His illustrations (some of which he made into lithographs) and paintings reflected the subject matter of his Ashcan teachers: Bowery bums, election night bonfires, slum kids, cops, criminals, ‘silk-hatted tourists,’ bar stool sitters, and other denizens of Lower Manhattan’s pockets and corners, typically at night. ...”

Ephemeral New York

Whitney

 

“Coenties Slip,” 1928

Stambali: the last dance with the spirits

 

“Stombali, stambali or stambeli… The origin of the word is multiple and imprecise. Some suggest a reference to ‘Istanbul’ – in Arabic, stambali means ‘who comes from Istanbul’ – while others think that the term derives from ‘stambeli’, which describes an ensemble of possession rituals among certain Nilo-Saharan peoples, such as the Songhai: ‘we can safely say that the stambeli is a cult, or more precisely a type of African rite, modified yet embraced by Islam,’ explains Amine Metani. A musician and founder of the electronic trance label Shouka, Amine – much like Tunisian producer Ghoula and artists of the Arabstazy collective – draws largely on influences within this sound shrouded by secrecy. ...”

PAM 

 Nefta, in the Tunisian Djerid. Mohamed, a guardian of the sanctuary of Saint Sidi Merzoug, devoted to the spirits of the Banga, wears the clothes of Bou Saadiya, a mythological character within the stambali community. He holds a pair of chkacheks – a metallic percussion instrument that forms an essential part of the ceremony. 

Ronald Shannon Jackson & The Decoding Society - Mandance (1982)

 

“... [Ronald Shannon] Jackson formed his band, The Decoding Society, in 1979, as a showcase for his blend of avant-garde jazz, rock, funk, and ethnic music. The instrumentation and arrangements, along with Jackson's compositions and drum style, brought The Decoding Society critical acclaim. Although considered to be part of the ‘new fusion’ movement that emerged from Ornette Coleman's harmolodic concepts, Jackson was able to implement a voice of his own. The Decoding Society's music can be hot, savage, and danceable, or cool, gentle, and contemplative. American, Eastern, and African sounds are distilled under Jackson's guidance. Meters, feels, tempos, and stylistic references are heard throughout different compositions; many times within a single piece of music. ...”

W - The Decoding Society and Other Projects

W - Mandance

Discogs (Video)

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YouTube: Man Dance, Catman, Alice In The Congo

YouTube: Ronald Shannon Jackson Decoding Society Montreux 1983 28:38

Life on Venus? The Picture Gets Cloudier

 

A false-color view of Venus taken by Japan’s Akatsuki Venus Climate Orbiter in 2018.

“A team of astronomers made a blockbuster claim in the fall. They said they had discovered compelling evidence pointing to life floating in the clouds of Venus. If true, that would be stunning. People have long gazed into the cosmos and wondered whether something is alive out there. For an affirmative answer to pop up on the planet in the orbit next to Earth’s would suggest that life is not rare in the universe, but commonplace. The astronomers, led by Jane Greaves of Cardiff University in Wales, could not see any microscopic Venusians with their telescopes on Earth. Rather, in a paper published in the journal Nature Astronomy, they reported the detection of a molecule called phosphine and said they could come up with no plausible explanation for how it could form there except as the waste product of microbes. ...”

NY Times

 

A colorized mosaic of the surface of Venus, seen through its clouds by the Magellan spacecraft in the early 1990s.

Take a Road Trip with Cyberspace Visionary William Gibson, Watch No Maps for These Territories (2000)

 

“‘I probably worry less about the real future than the average person,’ says William Gibson, the man who coined the term ‘cyberspace’ and wrote books like Neuromancer, Idoru, and Pattern Recognition. These have become classics of a science-fiction subgenre branded as ‘cyberpunk,’ a label that seems to pain Gibson himself. ‘A snappy label and a manifesto would have been two of the very last things on my own career want list,’ he says to David Wallace-Wells in a 2011 Paris Review interview. Yet the popularity of the concept of cyberspace — and, to a great extent, its having become a reality — still astonishes him. ... A dozen years earlier, in Mark Neale’s biographical documentary No Maps for These Territories, the author tells of how he first conceived it as ‘an effective buzzword,’ ‘evocative and essentially meaningless,’ and observes that, today, the prefix ‘cyber-’ has very nearly gone the way of ‘electro-’: just as we’ve long since taken electrification for granted, so we now take connected computerization for granted. ...”

Open Culture

W - No Maps for These Territories

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YouTube: William Gibson: No Maps for These Territories 2:01

Internet Archive: No Maps For These Territories 1:27:37

2010 September: Cyberpunk, 2010 October: Bruce Sterling, 2011 July: William Gibson, 2015 May: Mirrorshades: The Cyberpunk Anthology - edited by Bruce Sterling (1986), 2015 July: A Global Neuromancer, 2016 May: The Difference Engine - William Gibson and Bruce Sterling (1990), 2017 August: Sprawl trilogy, 2019 February: Storming the Reality Studio: A Casebook of Cyberpunk & Postmodern Science - Edited by Larry McCaffery (1992), 2019 December: How William Gibson Keeps His Science Fiction Real, 2020 May: We’re on the Brink of Cyberpunk, 2020 August: The Origins of Sprawl

A Natural Work of Art May Be Hiding Among Indian Cave Masterpieces

 

Cave paintings at the Bhimbetka Rock Shelters in Madhya Pradesh in India.

“Ten thousand years ago or more, people started painting the walls of caves near Bhopal, India. Over the millenniums they made thousands of images in what are now called the Bhimbetka Rock Shelters: men, women, a couple having sex, dancers, children, hunts, battles, about 29 different animal species and mythical beasts like a part-boar part-ox part-elephant. Over time, art styles shifted. Human figures donned clothes. Horses and elephants sprouted riders. Wars danced across sandstone faces. Today, many of the cave walls are now palimpsests, with medieval warriors covering Chalcolithic art on top of even older Mesolithic drawings. ...”

NY Times

The Trencherman: Punched in the Face by the Ghosts of St. Marks

 

“Ever wonder why a barfly sits so still? Both the question and the answer came to me at once one night last week. It’s the fear of falling over. I was sitting on a tall stool at the long bar in the narrow room. Not unlike the millions of other quiet Atlases that have done and will strike the same hunched-over pose, I was weighed down by the weight of the world. Events had knocked me off course. Nothing a stiff drink couldn’t solve, I thought, ordering one off the lengthy menu at the William Barnacle Tavern, the singular institution at 80 St. Marks Place between First and Second avenues. But the stool was high and the legs were slender and my guts were still so much in turmoil, I didn’t want to tempt fate by moving around too much. So I sat like a gargoyle and watched other people in the mirror.  There was a lot to see and more to think about. ...”

Voice

NYC’s Walk of Fame at Theater 80

THE STARS OF ST. MARK’S PLACE

2011 October: Saint Mark's Place, 2015 November: St. Mark’s Place: It’s Party Time in the East Village!, 2016 November: St. Marks Is Dead: The Many Lives of America's Hippest Street

Bill Evans Live in Munch Museum, Oslo (1966)

 

“Today, a 30-minute video of Bill Evans performing in Oslo, Norway, at the Edvard Munch Museum on October 28, 1966. The trio consisted of Evans, bassist Eddie Gomez on bass and Danish drummer Alex Riel. Filmed by the Norwegian Broadcasting Co., the trio performed in a hall just below Munch's massive work, The Researchers, and features one of Evans's finest performances of Nardis. The songs performed, in order, are Very Early, Stella by Starlight, If You Could See Me Now, Autumn Leaves, Time Remembered, Nardis and Five.  ...”

JazzWax (Video)

YouTube: Bill Evans Live in Munch Museum, Oslo (1966 Live Video) 30:14, Universal Mind of Bill Evans (1966 Documentary) introduction and Commemtary by Steve Allen 44:15

2019 June: The Complete Village Vanguard Recordings, 1961 - Bill Evan (2005), 2019 November: Some Other Time (2016), 2020 November: Another Time: The Hilversum Concert (1968)

Electronic: From Kraftwerk to The Chemical Brothers -The Virtual Tour

 

“Join Design Museum curators Gemma Curtin and Maria McLintock, as they guide you through key moments of the exhibition. On your virtual tour, listen to exclusive interviews from:  Internationally acclaimed artists such as Jean-Michel Jarre, Shiva Feshareki, Alan Oldham and A Guy Called Gerald. Ground-breaking designers and visual artists such as Judas, Kate Moross, Pier Schneider and François Wunschel of 1024 Architecture, Yuri Suzuki and Weirdcore. Jean-Yves Leloup, co-curator of the exhibition. Meet the inventors and trailblazers of electronic music from early 20th century pioneers to Daphne Oram, Jeff Mills and more. Explore the birth of house and techno in Chicago and Detroit, New York’s historic dance culture and the UK's Second Summer of Love. ...”

Design Museum (Video)

On Hustles

 

“I can always tell which one of my friends didn’t grow up around hustlers by how they look up and lock eyes with the person at the mall kiosk, who—by virtue of that enchanting eye contact—doesn’t even have to wave them over. They drift into the grasp of the salesperson without even being aware of it. And that’s when their money is no longer theirs. ... White Men Can’t Jump dissects the hustle solely as a game of optics. Billy Hoyle used to hoop in college but now makes a living hustling streetballers. He’s white, wears baggy shirts and a backward hat to the courts populated by Black players who are taller, fitter, dressed for the game. But, most importantly, he’s white. Sidney Deane is Billy’s initial, primary target. Sidney is talented, loud, boastful, approaching a caricature of a nineties streetball archetype. ...”

The Paris Review

W - White Men Can't Jump

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YouTube: White Men Can't Jump | #TBT​ Trailer

2012 November: Your Guide to the Brooklyn Nets, 2013 March: March Madness 2013, 2013 October: Rucker Park, 2014 January: History of the high five, 2015 February: Dean Smith (February 28, 1931 – February 7, 2015), 2015 June: Basketball’s Obtuse Triangle, 2015 September: Joint Ventures: How sneakers became high fashion and big business, 2015 October: Loose Balls - Terry Pluto (2007), 2015 December: Welcome to Smarter Basketball, 2016 January: The Last Shot: City Streets, Basketball Dreams (1994), 2016 January: A Long Hardwood Journey, 2016 March: American Hustle - Alexandra Starr, 2016 November: 2016–17 College Basketball, 2017 November: 2017-18 College Basketball, 2017 March: N.C.A.A. Bracket Predictions: Who the Tournament Experts Pick, 2017 June: The Rise and Fall of the High-Top Sneaker, 2018 January: Chaos Is This College Basketball Season’s Only Constant, 2018 March: The End of March Madness?, 2018 March: The 2018 March Madness Cinderella Guide, 2018 August: Ancestor Work In Street Basketball, 2018 November: Where Have College Basketball’s Star Point Guards Gone?, 2019 November: Players to Watch in the 2019-20 College Basketball Season, 2020 September: Ross Gay: Have I Even Told You Yet About the Courts I’ve Loved?

The Art of the Chore: Roberta Cantow’s Feminist Classic Clotheslines

 

“Domestic work offers both an agonizing ennui and the satisfaction of a necessary task being completed. In the 1981 documentary Clotheslines, filmmaker Roberta Cantow mines these two moods, as well as the subtler emotions that fill the distance between them. Over the course of this thirty-two-minute, nearly ekphrastic meditation on the art of laundry, we listen to twenty-one women reconcile their feelings about this mundane chore. Cantow’s interviews with them play out over impressionistic 16 mm footage of high-hanging delicates, vigorous handwashing, and socks being clipped one by one onto nearly invisible lines. ... Clotheslines expands on a tradition of feminist cinema established in the seventies by a wave of filmmakers who aired their own grievances on similar themes, including Chantal Akerman, Julia Reichert, Amalie R. Rothschild, and Claudia Weill. ...”

Criterion

Roberta Cantow on the making of Clotheslines

YouTube: Clotheslines Trailer

FOLKSTREAMS: Clotheslines 32 mins, Criterion: Clotheslines 32 mins

The Great Gatsby Is Now in the Public Domain and There’s a New Graphic Novel image

 

“If you’ve ever dreamed about mounting that ‘Great Gatsby’ musical, or writing that sci-fi adaptation based on Gatsby but they’re all androids, there’s some good news: as of January 1, 2021, F. Scott Fitzgerald’s classic novel finally entered the public domain. (Read a public domain copy here.) Creatives can now do what they want with the work: reprint or adapt it any way they like, without having to negotiate the rights. Or you could, just like Minneapolis-based artist K. Woodman-Maynard adapt the work into a beautiful graphic novel, pages of which you can glimpse here. Her version is all light and pastel watercolors, with a liberal use of the original text alongside more fantastic surreal imagery, making visual some of Fitzgerald’s word play. At 240 pages, there’s a lot of work here and, as if it needs repeating, no graphic novel is a substitute for the original, just…a jazz riff, if you were. ...”

Open Culture

amazon

2014 January: View the Passport Photos of F. Scott Fitzgerald, James Joyce, Virginia Woolf & Other Cultural Icons, 2014 August: Gatsby to Garp: Modern Masterpieces from the Carter Burden Collection, 2014 November: Lost Generation, 2015 November: The Crack-Up (1945), 2017 December: Living Well Is the Best Revenge By Calvin Tomkins, 2019 August: Three Letters from Switzerland By Zelda Fitzgeralds, 2020 November: A Few Words about F. Scott Fitzgerald

77 days: Trump’s campaign to subvert the election

 

“By Thursday the 12th of November, President Donald J. Trump’s election lawyers were concluding that the reality he faced was the inverse of the narrative he was promoting in his comments and on Twitter. There was no substantial evidence of election fraud, and there were nowhere near enough ‘irregularities’ to reverse the outcome in the courts. Mr. Trump did not, could not, win the election, not by ‘a lot’ or even a little. His presidency would soon be over. Allegations of Democratic malfeasance had disintegrated in embarrassing fashion. A supposed suitcase of illegal ballots in Detroit proved to be a box of camera equipment. ‘Dead voters’ were turning up alive in television and newspaper interviews. The week was coming to a particularly demoralizing close: In Arizona, the Trump lawyers were preparing to withdraw their main lawsuit as the state tally showed Joseph R. Biden Jr. leading by more than 10,000 votes, against the 191 ballots they had identified for challenge. ...”

NY Times

*****NY Times: Arrested in Capitol Riot: Organized Militants and a Horde of Radicals

NY Times: Key Takeaways From Trump’s Effort to Overturn the Election

W - Attempts to overturn the 2020 United States presidential election

YouTube: NYT Digs Into Trump....

 The president’s supporters, emboldened by the lie of a stolen election, breached the halls of Congress to stop the certification of the vote.

NY Times: Tracking the Oath Keepers Who Attacked the Capitol

NY Times: Republican Ties to Extremist Groups Are Under Scrutiny

NY Times: How Trump’s Focus on Antifa Distracted Attention From the Far-Right Threat

NY Times: Proud Boys Charged With Conspiracy in Capitol Riot

NY Times: Marjorie Taylor Greene’s Controversies Are Piling Up. Republicans Are Quiet.

YouTube: G O P  Quiet as Pressure Mounts to Address Lawmaker’s Conspiracy Claims

 A cartoon depicting a fight on the floor of the Congress Hall in Philadelphia in 1798 between Representative Matthew Lyon of Vermont and Representative Roger Griswold of Connecticut.

NY Times: Opinion | Why 1850 Doesn’t Feel So Far Away

NY Times: After Capitol Riot, Elected Officials Under Pressure Back Home

NY Times: Opinion | If Marjorie Taylor Greene Isn’t Beyond the Pale, Who Is?

Old Rivals, New Ideas and Why Some Clubs Are Reluctant to Try

 

Is it possible Rangers and Celtic are too tangled up in their rivalry for their own good?

“Nobody wants to say it is over. Steven Gerrard, the Rangers manager, will not tempt fate. He will only believe the title is won, he has said, when the math says so. Neil Lennon, his counterpart at Celtic, similarly cannot concede defeat. His team, he has said, will keep going, keep fighting, while there is still some small glimmer of hope. But both must surely know that it is over, and has been for some time. It was over long before this last, toxic month, when Celtic staged a winter training break in Dubai in the middle of a pandemic and flew back into a coronavirus-infected storm.It was over before two Celtic players duly tested positive, before pretty much the whole first-team squad had to go into isolation, before criticism rained down on the club from the Scottish government and even its own fans. ...”

NY Times

NY Times: In Brazil, Risk and Reward, Side by Joyous Side