​AFCON 2021 guide: The storylines, the underdogs and the games you won’t want to miss

 
“The latest Africa Cup of Nations is just around the corner. It’s been a long road to get here for a competition that has been moved around the calendar multiple times and, in the style of Euro 2020 last summer has the ‘wrong’ year in its official title, but 24 teams are now finally set to duke it out in Cameroon to become the next champions of Africa, with the tournament getting underway on Sunday, and finishing on Sunday, February 6. Here’s everything you need to know. ..."

​In ‘African Origin’ Show at Met, New Points of Light Across Cultures

 
Partnerships: Spanning eras and cultures, a pairing of artworks from “The African Origin of Civilization” includes “The King’s Acquaintances Memi and Sabu” from Egypt, ca. 2575–2465 B.C. and “Seated Couple”  from Mali, 18th or early 19th century.

“Object for object, there isn’t an exhibition in town more beautiful than ‘The African Origin of Civilization’ at the Metropolitan Museum of Art. Nor is there one more shot through with ethical and political tensions.The gathering of 42 sculptures in one of the Met’s Egyptian galleries unites, for the first time here, pieces from its Ancient Egyptian and sub-Saharan African holdings, centuries apart (the earliest sub-Saharan work on view is from the 13th century). The pretext for the display is a practical one. ...”

​A photographer captures a New York City of abstraction in the 1940s

 
“The street photographers who point their cameras all over the city tend to focus on people in motion in recognizable places—the rush of crowds on a subway platform, barflies at a corner tavern, or the random strollers, workers, loafers, and others found at any moment in time on specific streets and sidewalks. ...”

​The Legacy of Atlanta Hip Hop, Mapped

 
“A new map tells the story of Atlanta’s expansive hip hop legacy. For this week’s MapLab, CityLab’s Brentin Mock has the details: Some of the places and buildings on the ATL Rap Map are no longer actually still standing. They live in memory, and in the lyrics recited by the Atlanta rappers the map honors. The kings and queens of Atlanta’s hip hop culture — Outkast, Jermaine Dupri, Crime Mob and one of its newest stars, Latto, to name a few — frame a portrait of the city, which from a distance looks like a cluster of buildings and street signs surrounded by forests. ...”

​The Bialetti Moka Express: The History of Italy’s Iconic Coffee Maker, and How to Use It the Right Way

 
“I am sure that many an Open Culture reader has a Bialetti Moka Express in their kitchen. I know I do, but I must add that I knew little about its history and apparently even less about how to properly use one. Coffee expert and author of The World Atlas of Coffee James Hoffmann introduces us to the appliance we think we know in the above video.Alfonso Bialetti didn’t originally get into the coffee business. In 1919, the Bialetti company was an aluminum manufacturer, with the Moka Express invented somewhere around 1933 by Luigi de Ponti, who worked for the company. ...”

Mario Batkovic - Introspectio (2021)

 
“Mario Batkovic plays the accordion. Sounds straightforward enough. Except he plays the accordion in the manner of Steve Reich or Terry Riley if they were entranced by the carnivalesque dancing of a youthful Alejandro Jodorowsky, their nimble fingers reenacting the exuberant choreography upon compressed keys. And Batkovic’s fingers work overtime, like Lubomyr Melnyk transported to a squeezebox. He approaches his instrument in the same way that Richard Dawson plays the guitar: it’s recognisable but the musician doesn’t appear to be following any of the rules or tropes that you would normally associate with that instrument. Instead, we’re treated to mantle-deep bellows, glistening twinkles, and squelchy, fuzz-caked riffage akin to the guitar work of Muse but with ideas beyond basic pageantry. This is music for classicists. ...”

Emerson and Thoreau’s Fanatical Freedom

 
“On the title page of my paperback copy of Walden, an echo of a former self greets me. My name, written in loopy adolescent script, and the date: August 12, 1993. I was 17 when I bought the Vintage Books/Library of America edition at Waldenbooks in the Bridgewater Commons Mall, using proceeds from a summer job. I dutifully read it in those final weeks of summer, with pen in hand, underlining here, making embarrassing marginal comments there. One late afternoon, I was sitting alone at home, working my way through the book, when my boyfriend stopped by unexpectedly. I couldn’t have planned it better. I had wanted to be seen just so: dim room, puddle of light from a lamp, reading Thoreau. So goes a story about the Transcendentalists and my world. ...”
 

Stargazing with Ice Cold Enthusiasm

“It was New Year’s Eve Eve — New Year’s Eve Squared? — and a friend sent an email to our writers’ group about greeting the coming year with deliberate passion and cheer. There was a reply chain about setting aside difficulties in order to appreciate the bigger picture, like celebrating that you’re on a hike in an old-growth forest instead of lamenting the cold rain. In short, we wanted to prioritize enthusiasm, re-centering our experiences to focus on the positive despite the humdrum, and to appreciate the awesomeness of each moment so that nothing becomes ‘old hat.’ It’s a worthy theme for a new year. ...”

Elvin! - Elvin Jones (1962)

 
“No one can prove that Elvin Jones — or Buddy or Max or anyone else — was the greatest jazz drummer. But making the case for Elvin wielding a more profound influence than any rhythm master is a snap. Take him out of the history of this music and suddenly you have nobody there to prove that drummers could play in rhythm and out of meter at the same time. You have nobody making the case that the drums could play with rather than behind a soloist. You have nobody pushing way beyond the beat, into texture and dynamic interaction, where drummers once scarcely roamed. ...”

​Lawmakers Speak After Biden Warns of ‘a Dagger at the Throat of America’

 
“President Biden forcefully denounced former President Donald J. Trump for promoting lies and tearing down democracy because he could not stand the fact that he lost a free and fair election, accusing his predecessor and his allies of holding ‘a dagger at the throat of America.’ In his most sustained and scathing attack on the former president since taking office, Mr. Biden used the anniversary of the Jan. 6 mob assault on the Capitol to condemn Mr. Trump for waging an ‘undemocratic’ and ‘un-American’ campaign against the legitimacy of the election system that he likened to the actions of autocrats and dictators in faraway countries. ...”
 

Agnès Varda: From Here to There (2011)

 
“A freewheeling travelogue, a kaleidoscopic survey of the contemporary art scene, and a loving ode to creativity in all its forms, this five-part miniseries by the inimitable Agnès Varda takes us on a journey of discovery as she travels the globe—from Stockholm to St. Petersburg, Lisbon to Rio de Janeiro, Mexico City to Los Angeles—meeting with friends, artists, and fellow filmmakers. Along the way there are chats with titan auteurs Chris Marker (offering a window into his virtual reality world) and a 102-year-old Manoel de Oliveira (doing his best Chaplin impersonation); visits to the Hermitage Museum, the Venice Biennale, and the home of Frida Kahlo; glimpses into the studios of acclaimed visual artists like Christian Boltanski, Annette Messager, and Pierre Soulages; and Varda’s casually profound musings on everything from rivers to the Dutch masters to her own photography and installation works. ...”

​Fifty Disguises: Selections from The Book Against Death

 
1942 There is no longer any measure by which to gauge anything once the measure of human life no longer is the measure. Today I decided that I will record thoughts against death as they happen to occur to me, without any kind of structure and without submitting them to any tyrannical plan. I cannot let this war pass without hammering out a weapon within my heart that will conquer death. It will be tortuous and insidious, perfectly suited to the task. In better times I would wield it as a joke or a brazen threat. I think of the act of slaying death as a masquerade. Employing fifty disguises and numerous plots is how I’d do it. 1943  Freedom hates death most of all, but love is a close second. ...”

​A Long, Hard Year for Republicans Who Voted to Impeach After Jan. 6

 
Before the Capitol riot on Jan. 6, members of Congress gathered at a joint session to confirm the Electoral College votes cast in the 2020 election.

“The 10 House Republicans who voted to impeach Donald J. Trump did so with the same conviction — that a president of their party deserved to be charged with inciting insurrection on Jan. 6, 2021 — and the same hope — that his role in doing so would finally persuade the G.O.P. to repudiate him. But in the year since the deadliest attack on the Capitol in centuries, none of the 10 lawmakers have been able to avoid the consequences of a fundamental miscalculation about the direction of their party. The former president is very much the leader of the Republicans, and it is those who stood against him whom the party has thrust into the role of pariah. ...”

Best Chet Baker Pieces: 20 Jazz Essentials

 
“It can be difficult to untangle the romantic myth surrounding Chet Baker from the merits of his music. His stratospheric rise in the early 1950s owed much to the elegant style and rhythmic grace of his trumpet playing, but his good looks didn’t hurt, and by the time he started to sing in a fragile and androgynous tone that sounded unlike any other singer, he became a teenage pin-up and a celebrity, a rarity in the jazz world. Baker spent his early years in Oklahoma and moved to Southern California with his family as an adolescent. By 1952, he became a regular at jam sessions at the Hermosa Beach club The Lighthouse and played with Charlie Parker on a string of dates on the West Coast. ...”

The Five Kingdoms of Football

 
“... Farther up the snowy coast you meet a druid. Actually, he calls himself a ‘football data analyst’ — more impenetrable dialect from the locals, but in English, it seems to mean druid or mage or something. He’s carrying enchanted parchments painted with numbers and colourful shapes. You catch a glimpse of one that sort of looks like a pizza.The Counter Kingdom is at war, the druid tells you, against not one rival sovereign but four. The Five Kingdoms have always been at war. He says no one remembers exactly how it started but the whole conflict has to do with a ball. ...”

Every Day Is Jan. 6 Now

 
“The Editorial Board. One year after the smoke and broken glass, the mock gallows and the very real bloodshed of that awful day, it is tempting to look back and imagine that we can, in fact, simply look back. To imagine that what happened on Jan. 6, 2021 — a deadly riot at the seat of American government, incited by a defeated president amid a last-ditch effort to thwart the transfer of power to his successor — was horrifying but that it is in the past and that we as a nation have moved on.This is an understandable impulse. After four years of chaos, cruelty and incompetence, culminating in a pandemic and the once-unthinkable trauma of Jan. 6, most Americans were desperate for some peace and quiet. ...”

NY Times: The Capitol Police and the Scars of Jan. 6. (Audio)   “On the morning of Jan. 6, Caroline Edwards, a 31-year-old United States Capitol Police officer, was stationed by some stairs on the Capitol grounds when the energy of the crowd in front of her seemed to take on a different shape; it was like that moment when rain suddenly becomes hail. A loud, sour-sounding horn bleated, piercing through the noise of the crowd, whose cries coalesced into an accusatory chant: ‘U.S.A.! U.S.A.!’ ...”

VOX: How does this end?  “Americans have long believed our country to be exceptional. That is true today in perhaps the worst possible sense: No other established Western democracy is at such risk of democratic collapse. January 6, 2021, should have been a pivot point. The Capitol riot was the violent culmination of President Donald Trump and his Republican allies’ war on the legitimacy of American elections — but also a glimpse into the abyss that could have prompted the rest of the party to step away. Yet the GOP’s fever didn’t break that day. ...”

Hue & Cry: French Printmaking and the Debate Over Colors

 
Camille Pissarro, Peasant Women Weeding the Grass, c. 1894

“Exploring the surprising but steady opposition to printed color in nineteenth-century France, Hue & Cry showcases the Clark’s extraordinary holdings of French color prints by artists including Pierre Bonnard, Mary Cassatt, Paul Cézanne, Jules Chéret, Maurice Denis, Camille Pissarro, Henri de Toulouse-Lautrec, and Edouard Vuillard.Brightly colored prints and posters, synonymous with Belle Époque Paris in the 1890s, remain beloved images in our own era. Yet their extreme popular appeal masks the fact that, for a very long time, color in print was an outlier phenomenon. Not only was printed color difficult and expensive to achieve, it was also frowned upon as a matter of aesthetic taste. ...”

 
In the Times of Harmony (detail; c. 1896), Paul Signac.

Long Live the Microcinema

 
A screening at the Spectacle Theater in Brooklyn, New York

“About a decade ago, I went to see Welcome, or No Trespassing at Spectacle. It’s still the only time I’ve known anyone to project the movie, a 1964 satire of Soviet summer camps that was the debut feature of Elem Klimov (Come and See). Walking into the compact space in Williamsburg, Brooklyn, I remember there being only two or three other people among the cluster of seats, and I thought I spotted a sink just behind the screen, but really, the room was immediately recognizable as a cinema. ... Though the term ‘microcinema’ has been applied since the 1990s to describe local DIY spaces or series curated with an idiosyncratic mix of programming (whether little- or well-known movies), the word has always had too clinical a ring for such spaces and their cozy, communal, handmade, human feel. ...”

 
A street view of the Spectacle Theater

This 1930 neon hotel sign still illuminates East 42nd Street

 
“Rising 20-plus stories above 42nd Street, the old-school sign for what was once called the Hotel Tudor is a beacon for Tudor City, the apartment complex mini-city of 12 Tudor Revival-style buildings built in the late 1920s. Like so many vintage neon signs in New York, its future was threatened. ‘The sign dates from 1930 when the hotel opened, and has a fleeting brush with demolition in 1999,’ according to Tudor City Confidential, a blog that covers the complex. Community opposition helped keep it in place. Today the hotel is officially known as the Westgate New York Grand Central—and the red glow of the sign lights the way along the eastern end of 42nd Street.“

Hania Rani

 
“I feel like ‘Home’ is a second part of the same book, that the start was inEsja’, a musical prelude to a real plot. I feel Home is a story with an ending, so the next book can tell a totally different one. I am constantly looking for new ways of expression. I am curious where Home will lead me and my music. One can be lost but can find home in his inner part – which can mean many things – soul, imagination, mind, intuition, passion. I strongly believe that when being in uncertain times and living an unstable life we can still reach peace with ourselves and be able to find ‘home’ anywhere’. This is what I would like to express with my music – one can travel the whole world but not see anything. It is not where we are going but how much we are able to see and hear things happening around us. ...”

Fassbinder and the Red Army Faction

 
What accounts for Fassbinder’s political evolution? To understand it, we must trace the arc of the West German New Left.

Eight Hours Don’t Make a Day is not Rainer Werner Fassbinder’s most renowned work, but it’s certainly the legendary German filmmaker’s most politically sophisticated. The five-part television series revolves around a cast of working-class characters in Cologne: the young toolmaker Jochen, his coworkers, his family, and his girlfriend, Marion. Over the course of the series, the factory workers, led by the popular Jochen with encouragement from the inquisitive and principled Marion, grow increasingly determined to assert control over the production process and take a bigger share of the profits. The series aired on West German public television in the fall of 1972. ...”

 
Eight Hours Don’t Make a Day (1972)

When a Master Printer Picks Up the Camera

 
“John Bull’s Great Stone, Common Burying Ground, Newport, Rhode Island” (1973-8), at the Philadelphia Museum of Art.

“Is technical wizardry enough to make someone an artist? Richard Benson was unrivaled as a printer of photographs before he became a photographer. Hired in his early twenties by an art-book printing company to make halftone negatives to run on an offset press, he realized, as he later wrote, ‘I couldn’t understand printing without first mastering photography, and so my career began.’ At the time of his death at 73 in 2017, Benson profoundly understood the processes and techniques of photographic printing. He was also a beloved professor and dean at Yale. His own work with a camera, however, received less attention. ...”

 
Richard Benson, “Newfoundland (Green Boat),” ca. 2006.

Common Ground vol.1 (2021)

 
“... Common Ground vol.1 is a digital compilation of ambient music and field recordings, gathering together a roster of artists who’ve put their sonic imprint firmly on 2021, and who add up to a collective ‘who’s who’ of ambient and experimental contemporary music. The release features exclusive tracks from electronic music pioneer Laurie Spiegel, Room40 imprint founder Lawrence English, composer and filmmaker Christina Vantzou, Texan ‘bandcamp superstars’ and friends Claire Rousay and more eaze, the prolific and currently ubiquitous Kenyan producer KMRU, ambient and spoken-word artist Wayne Phoenix, Iranian duo Saint Abdullah, Korean-American experimental artist Lucy Liyou, French DJ/producer/trainer Flore as well as Safe Ground’s founder, LB Marszalek fka Juanita. ...”

​Tour 15 of the Brightest Stars on New Year's Eve

 
The brightest star in the night sky is Sirius, in Canis Major. The open cluster M41 is nearby.

“Tour 15 of the sky’s brightest stars all in one night on this New Year’s Eve! This interactive Worldwide Telescope video will show you the way. Every year around the winter solstice, all 15 of the northern night sky’s brightest stars – those first-magnitude and brighter – are above the horizon and visible sometime between sunset and sunrise. Get the New Year off to a good start by coming along with Scott Levine and the Worldwide Telescope on our interactive video tour! ...”

Black Print

“Printing arrived in the Americas in 1539, in Mexico City. A hundred years later, the first press, owned by Elizabeth Glover, was established in Cambridge Massachusetts shortly after the first slaves arrived in August 1619, in the then English colony of Virginia. Over the next 200 years print grew rapidly to cater for a burgeoning and increasingly literate population. The birth of African American printing and publishing coincides with a new momentum, a rising tide of anti-slavery and immediatist abolitionist movements weary of ‘indefinite deferral’. Their voices were disseminated and amplified through millions of printed pages of broadsides, pamphlets and books. ...”

 
Frontispiece and title-page to Phillis Wheatley’s  Poems on Various Subjects, Religious and Moral. Published in London, 1773. Photo from the British Library

​Photos Of BSA 2021

 
John Fekner for Welling Court Mural Project NYC. Queens, NY 

“An earliest New York street artist – socio/political commentator, John Fekner has battled through many wars and storms in this city over the last four decades. Despite the hardships we’re enduring with Covid and economic near-collapse, we trust Fekner when he reassures us simply in his forthright unadorned stencil style. ...”

​The Same Old Song: A Guide to Neonoir

 
Night Moves

”When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously mythic and fatalistic about the American crime fiction tradition: the idea of cautionary tales being told at street level. ... The same anxious malaise inflecting detective stories of Depression-era novelists like Dashiell Hammett and Raymond Chandler—whose twisty plots doubled as picaresque guided tours through a newfangled urban wilderness—would manifest in the flow of postwar thrillers that either literally adapted their contents or else reconfigured their themes for a visual medium. Stories set in moral grey zones and gritty environments were transformed into cinematic shadow plays by filmmakers who recognized and exploited the material’s expressionist potential. ...”

2018 September: Neo-noir

 
Chinatown

Art Ensemble of Chicago - Certain Blacks (1970; 2004)

 
“... The Art Ensemble of Chicago is an avant-garde jazz ensemble that grew out of Chicago's AACM in the late 1960s. The Art Ensemble is notable for its integration of musical styles spanning jazz's entire history and for their multi-instrumentalism, especially the use of what they termed “little instruments” in addition to the traditional jazz lineup; 'little instruments' can include bicycle horns, bells, birthday party noisemakers, wind chimes, and a vast array of percussion instruments (including found objects). The group also uses costumes and face paint in performance. These characteristics combine to make the ensemble's performances as much a visual spectacle as an aural one, with each musician playing from behind a large array of drums, bells, gongs, and other instruments. When playing in Europe in 1969, the group were using more than 500 instruments. ...”

​Siren (mythology)

 
Odysseus and the Sirens, Roman mosaic, second century AD

“In Greek mythology, the sirens (Ancient Greek: singular: Σειρήν, Seirḗn; plural: Σειρῆνες, Seirênes) were dangerous creatures, who lured nearby sailors with their enchanting music and singing voices to shipwreck on the rocky coast of their island. It is also said that they can even charm the winds. Roman poets placed them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the ‘flowery’ island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. ...”

 

Various Artists – Cryo Chamber Collaboration – Dagon (2021)

 
“Every year for the last eight, the Cryo Chamber label has worked with a slew of dark ambient artists on an extensive collaboration inspired by the horror works of H.P. Lovecraft. The difference between such a collaboration and a compilation is that this album consists of two very long tracks that were co-authored by all participants, whereas a collaboration is a grouping of individually composed and recorded material. As a result, Dagon offers up a sonically consistent set of drones, melodies, and effects that slowly explore a multi-dimensional musical space. ...”