“Mario Batkovic plays the accordion. Sounds straightforward enough. Except he plays the accordion in the manner of Steve Reich or Terry Riley if they were entranced by the carnivalesque dancing of a youthful Alejandro Jodorowsky, their nimble fingers reenacting the exuberant choreography upon compressed keys. And Batkovic’s fingers work overtime, like Lubomyr Melnyk transported to a squeezebox. He approaches his instrument in the same way that Richard Dawson plays the guitar: it’s recognisable but the musician doesn’t appear to be following any of the rules or tropes that you would normally associate with that instrument. Instead, we’re treated to mantle-deep bellows, glistening twinkles, and squelchy, fuzz-caked riffage akin to the guitar work of Muse but with ideas beyond basic pageantry. This is music for classicists. ...”
