Alex Katz: The Brooklyn Rail

 
Yellow House, 2020

“Alex Katz continues his foray into the lyric appreciation of the world outside us. Leaves and trees abound in this show, and are as technically accomplished as ever. The works, begun either in Pennsylvania or Maine during the quarantine, were completed at the artist’s studio on West Broadway. Katz’s sense of color remains highly original and highly effective, as does his understanding of what takes place in the span of a composition. Now in his mid-’90s, the artist shows no sign of slowing down; the paintings are as energetic and as vibrant as ever. ...”

 
From the Bridge 5, 2021

​Tina Brooks Quintet – The Complete Recordings (Master Takes)

 
“The splendid tenor saxophonist Tina Brooks was one of many ill-fated jazzmen. He made his first recordings with rhythm & blues bands in 1951-52, but his recording career didn't really start until 1958, when he participated on Jimmy Smith's album ‘The Sermon’. ... This release presents all of the quintet studio albums he made under his own name, in chronological order. Due to personal problems, Brooks would stop recording in early 1961 and wouldn't be heard from again prior to his death in 1974, at the age of 42. Included on this set are the complete classic original albums: Minor Move, True Blue, Back to the Tracks, and The Waiting Game. Featured with Tina Brooks are such stars as Lee Morgan, Freddie Hubbard, Johnny Coles, Jackie McLean, Kenny Drew, Duke Jordan, Paul Chambers, Art Blakey, and Philly Joe Jones, among others. ...”

​In Which a Direct Line is Drawn From Flaubert’s Unfinished Novel to Bill & Ted’s Excellent Adventure

 
“On December 9, 1978, Roland Barthes delivered a lecture in his series about the fantasy of writing a novel. Or rather, he spoke about ‘Wanting-to-Write,’ because he denied he was actually writing one. No, instructed Barthes, it ‘isn’t true; if I were, I clearly wouldn’t be in a position to propose a lecture course on its preparations: writing requires secrecy.’ Secrecy, up to a point. For the French novelist Gustave Flaubert, born 200 years ago this month, the process of writing necessitated complaining about it, loudly. Following the Franco-Prussian War of 1870, in which he served as a drill sergeant, and the death of his cherished mother in April 1872, perhaps he felt he had much to complain about. ...”

Semi-automated offsides: FIFA’s new baby and a bold step in the development of VAR

 
"A show of hands please from those who watched Tunisia hammer Mauritania 5-1 on Tuesday. Really? The opening game of the FIFA Arab Cup passed you by? More fool you. It had plenty going for it, honestly. Some classy finishes from Tunisia, particularly the cheeky backheel from Seifeddine Jaziri to break Mauritania’s resolve for 3-0. No way back from there when you are ranked 103rd in the world, that’s for sure. Arguably the most remarkable aspect of the match, though, was the 17 (seventeen) minutes of stoppage time played at the Ahmed bin Ali Stadium in Qatar. Even more remarkable was that none of it was down to offside VAR checks. ..."

​August Wilson, The Art of Theater No. 14

 
“August Wilson has been referred to (by Henry Louis Gates, Jr.) as ‘the most celebrated American playwright now writing, and . . . certainly the most accomplished black playwright in this nation’s history.’ Earlier this fall the beneficiary of Mr. Gates’s praise was in Atlanta to oversee the production of one of his plays. He took time off to meet for lunch at the Sheraton Hotel’s Fourteenth Street Bar, arriving in a black turtleneck sweater under a tweed coat. The tables in the bar are set up on a balcony overlooking the yellowgold emporium that is the hotel lobby. ...”

Of Thread & Mist ~ Static Hymns to No One (2021)

“... Of Thread & Mist is a fitting phrase for ephemeral, loop-based work.  This is the new moniker of Richard Knox, no stranger to these pages under various guises.  Recorded during the pandemic, Static Hymns to No One is both a reflection of and music for quarantine.  The very title is at war with itself, implying that no one is upstairs and that we’re going to ask for help anyway, because we can’t be sure.  ‘Grace and Truth Perish’ is like the lamentation of Job, seeking an explanation for his suffering (spoiler alert: two entities made a bet); or Ecclesiastes, lamenting the unheard cries of the oppressed.  The choral elements, coupled with the sense of yearning, make it a hymn....”

​Submission – Unofficial Map: NYC Ferries by Evelyn Fischer

 
“Hello! I just thought I’d send you my attempt at making the NYC Ferry network a bit less intimidating to navigate. While many of the issues are with the network itself (the stopping patterns are absolutely bizarre), I’ve always thought the official map made the network far harder to navigate than it should be. So here’s my attempt to fix that! Like Evelyn, I’ve never really been a fan of the official NYC Ferries map: it’s sloppily drawn and can’t decide if it’s a Vignelli-style diagram or a geographic map. ...”

​The Jazz Standards: A Guide to the Repertoire (2021), The History of Jazz (2021) – Ted Gioia

 
“A few days ago, the revised and expanded edition of my book The Jazz Standards was published by Oxford University Press. I’ve never had more fun writing a book than in creating this guide to the jazz repertoire—which covers 267 essential songs. These were songs that I first learned in my earliest days as a jazz musician, and they’ve remained familiar friends over the decades. The first edition of The Jazz Standards, published in 2011, earned praise from Sonny Rollins, Dave Brubeck, Lee Konitz, and other jazz luminaries—a tough audience to please, because they know these songs intimately. ...”

Meadows and the Band of Loyalists: How They Fought to Keep Trump in Power

 
President Donald J. Trump seemed to believe that a small group of Republican lawmakers would help him stay in office.

“Two days after Christmas last year, Richard P. Donoghue, a top Justice Department official in the waning days of the Trump administration, saw an unknown number appear on his phone. Mr. Donoghue had spent weeks fielding calls, emails and in-person requests from President Donald J. Trump and his allies, all of whom asked the Justice Department to declare, falsely, that the election was corrupt. The lame-duck president had surrounded himself with a crew of unscrupulous lawyers, conspiracy theorists, even the chief executive of MyPillow — and they were stoking his election lies. Mr. Trump had been handing out Mr. Donoghue’s cellphone number so that people could pass on rumors of election fraud. Who could be calling him now? ...”

​A Century in Stanislaw Lem’s Cosmos

 
Polish covers for Lem’s books, from left: “Insomnia,” The Invasion from Aldebaran” and “Solaris.”

“In ‘The Eighth Voyage,’ a short story by Stanislaw Lem, aliens from across the universe convene at the General Assembly of the United Planets. Lem’s hero, the space traveler Ijon Tichy, watches as an uninformed but overconfident creature steps forward and makes the case to admit Earth to the organization’s ranks. ... His sentimental appeal is well-received, until a second extraterrestrial stands up and begins to list humanity’s wrongdoings, which include meat-eating, war and genocide. Tichy listens as the aliens belittle us and label us misguided and corrupt, our planet a blip on their intergalactic radar. ...”

The Mauritanian - Kevin Macdonald (2021)

 “The Mauritanian is a 2021 legal drama film based on the true story of Mohamedou Ould Slahi, a Mauritanian man who was held for fourteen years (from 2002 to 2016) without charge in the Guantanamo Bay detention camp, a United States military prison. The film was directed by Kevin Macdonald based on a screenplay written by M.B. Traven, Rory Haines, and Sohrab Noshirvani, adapted from Slahi's 2015 memoir Guantánamo Diary. It stars Tahar Rahim as Slahi, and also features Jodie Foster, Shailene Woodley, Benedict Cumberbatch, and Zachary Levi in supporting roles. ...”

Magnus Carlsen Pounces on Rival’s Mistake to Retain Chess Title

 
“Magnus Carlsen of Norway retained his world championship on Friday in Dubai after his challenger, the Russian grandmaster Ian Nepomniachtchi, committed the last of a series of blunders that turned their once-taut match into a relatively easy victory. Carlsen’s victory came in the 11th game of an event that had been scheduled to last 14 games. The final score was 7.5 to 3.5 points, with each victory worth one point and draws worth half a point. The loss in the final game by Nepomniachtchi completed one of the worst collapses in a title match in chess history. After the first five games ended in draws, Nepomniachtchi lost four of the last six games. His last three defeats were mostly the result of self-inflicted wounds, as Nepomniachtchi made critical and relatively simple errors in each of them. ...”

New York Rocker

 “New York Rocker published 54 issues between 1976 and 1982. They had a small staff, no more than a half-dozen full-time at most. The peak of its circulation was around 35,000 copies a month. But as they say, it was incredibly influential. And more than being influential, it was just a great paper. And it still is, if you can find the back issues. The writing is excellent, the tone is smart and punchy, and it's also deadly serious. They covered national stuff really well but also managed to stay really hyper-local. Especially as the paper went on, its correspondents weren't just fans active in their own cities and scenes, but also fans of a truly remarkable breed. ... Time and time again, they were on top of things, in a totally sincere, uncynical, and self-aware way. They charted what's now blurrily called American indie rock, but they also had a pretty major hand in inventing it. ...”

​Robert Farris Thompson, ‘Guerrilla Scholar’ of African Art, Dies at 88

 
Professor Thompson at his home in New Haven, Conn., in 2019. He continued teaching into his 80s.

“Robert Farris Thompson, a self-described ‘guerrilla scholar’ who revolutionized the study of the cultures of Africa and the Americas by tracing through art, music and dance myriad continuities between the two, died on Nov. 29 at a nursing home in New Haven, Conn. ... Born into an upper-middle-class white family in Texas and educated at Yale, Professor Thompson is remembered by colleagues and students for his energizing thinking and his extravagantly performative presence. In the Yale classroom, where he taught African American studies for more than half a century, he turned lecterns into percussive instruments. On research trips in Brazil, Cuba and Nigeria, he was known to exchange his J. Press madras shorts for the robes of an initiate into tribal religious societies. ...”

Music makes the past alive

 
“Moving on from ‘clubbing across the continent,’ Africa Is a Country Radio is back on Worldwide FM with a new season. This time, each show will be inspired by a different work of African literature. In the first episode, we visit Ethiopia with Kenyan-American author Mukoma Wa Ngugi, who has just released a new novel called Unbury Our Dead with Song on Cassava Republic Press. In his latest work, Mukoma uses the Tizita, and its birthplace of Ethiopia, as an entry way to ruminate on the intricacies of love, war, life and death, the past, the future, faith and human expression. ...”

Greg Tate

 
“Greg Tate, a journalist and critic whose articles for The Village Voice, Rolling Stone and other publications starting in the 1980s helped elevate hip-hop and street art to the same plane as jazz and Abstract Expressionism, died on Tuesday in New York City. He was 64. ... Mr. Tate exploded onto the New York cultural scene in the early 1980s, soon after graduating from Howard University, when he began contributing freelance music reviews to The Voice. Although he didn’t join the weekly newspaper’s staff until 1987, he almost immediately became its pre-eminent writer on Black music and art, and by extension one of the city’s leading cultural critics. New York at the time was an ebullient chaos of cultures, its downtown scene populated by street artists, struggling writers, disco D.J.s and punk rockers living in cheap apartments and crowding into clubs like Paradise Garage and CBGB. ...”

Inside the Fall of Kabul

 
Instead, to the shock of the world, the Afghan capital fell in a matter of hours.

Part 1: The Withdrawal. After dark on a mild July evening, I made my way through a heavily fortified neighborhood in downtown Kabul. Over the years, the capital’s elite had retreated deeper behind concrete walls topped with concertina wire; sometimes they even added a layer of Hesco barriers on the sidewalk, forcing me into the street as I passed. I buzzed at the home of a former government official, went inside and climbed the marble stairs to a rooftop party. I’d been to a few of his gatherings over the years, some of them raucous with laughter and dancing, but this was a quiet affair, with a small group of Afghan men and women, mostly young and stylishly dressed, sitting in a circle under the lamplight. The mood was grim. In recent weeks, large areas of the north, places that had not historically supported the Taliban, had suddenly fallen. ...”

 
Families, most likely relatives of Zero Unit fighters, making their way into the airport to be evacuated on Aug. 24.

Tangerine Dream - Poland (The Warsaw Concert 1984)

 
“... This latter attribute clearly struck a chord with the band’s new sponsors, Clive Calder’s UK-based Jive imprint, whose first Tangerine Dream release was November 1984’s Poland. A lavish two-disc live LP, the record was compiled from highlights of the two triumphant shows the Berlin-based trio performed at Warsaw’s cavernous Ice Stadium on December 10, 1983. Tangerine Dream had long since built up a sizable following in Communist-controlled Eastern Europe, and they were one of the first major Western outfits to make significant inroads behind the Iron Curtain. ...”

​Appeals Court Rejects Trump’s Bid to Shield Material From Jan. 6 Inquiry

 
”A federal appeals court ruled on Thursday that Congress is entitled to see White House records related to the Capitol attack on Jan. 6, rejecting former President Donald J. Trump’s claim that he still has the power to keep the material secret. In a 68-page ruling, a three-judge panel of the United States Court of Appeals for the District of Columbia held that Congress’s oversight powers, backed by President Biden’s decision not to invoke executive privilege over the material, outweighed Mr. Trump’s residual secrecy powers. ...”

​George Orwell’s Nineteen Eighty-Four Will Be Retold from a Woman’s Point of View

 
Nineteen Eighty-Four has been a byword for totalitarian dystopia longer than most of us have been reading books. But apart from its the title and certain words from its invented ‘newspeak‘ — doubleplusgood, unperson, thoughtcrime — how deeply is George Orwell’s best-known novel embedded into the culture? Most of us recognize the name Winston Smith, and many of us may even remember details of his job at the Ministry of Truth, where the facts of history are continually rewritten to suit ever-shifting political exigencies. But how much do we know about the other major character: Julia, Winston’s fellow ministry employee who becomes his clandestine co-dissident and forbidden lover? ...”

Robbie Shakespeare

 
Robert Warren Dale Shakespeare (27 September 1953 – 8 December 2021) was a Jamaican bass guitarist and record producer, best known as one half of the reggae rhythm section and production duo Sly and Robbie, with drummer Sly Dunbar. Regarded as one of the most influential reggae bassists,Shakespeare was also known for his creative use of electronics and production effects units. He was sometimes nicknamed ‘Basspeare’. As a part of Sly and Robbie, Shakespeare worked with various reggae artists such as U-Roy, Peter Tosh, Bunny Wailer, Dennis Brown, Gregory Isaacs, Sugar Minott, Augustus Pablo, Yellowman, and Black Uhuru. His production work also extended beyond the reggae genre, covering various pop and rock artists such as Mick Jagger, Bob Dylan, Jackson Browne, Cyndi Lauper, Joe Cocker, Yoko Ono, Serge Gainsbourg, and Grace Jones. Prior to his involvement in Sly and Robbie, he was a member of the session groups The Revolutionaries and The Aggrovators. ...”

​25 Years of UbuWeb, the Internet’s Best Kept Secret

 
“Though you’ve likely stumbled across a post or two from UbuWeb during one of your internet excursions or referenced the site during college courses, perhaps it’s a good time to devote solid, focused energy on absorbing the profoundly deep lessons buried in the crucial online archive of art, music, film, literature and esoteric ephemera. This year marks UbuWeb’s 25th anniversary, but don’t expect a social media blitz, a plea for funding or a major web redesign. Defiantly utilitarian, it operates as a crucial resource while openly acknowledging in its About essay that its archive contains copyright-infringing content: ‘By the letter of the law, the site is questionable; we openly violate copyright norms and almost never ask for permission. Most everything on the site is pilfered, ripped, and swiped from other places, then reposted. We’ve never been sued—never even come close.’ ...”

​How Soccer Lost America (Then Got It Back) - Brian Phillips

 
"A strange feature of American exceptionalism during the 1980s and ’90s was that we wanted to import everything but culture. This is one way to understand the bizarre anxiety and contempt with which much of the American sports media regarded soccer in the late 20th century: It was the wrong kind of product. ... American men in Bangladesh-made khakis could, without a whisper of cognitive dissonance, drive their German cars while listening to their Chinese-engineered radio consoles, where they’d spend drivetime deriding soccer as a foreign menace, a cosmopolitan threat to American strength—a 'game for beret-wearers,' as Ann Coulter once put it. ..."

Promises - Floating Points, Pharoah Sanders and the London Symphony Orchestra (2021)

 
“... This month, Sanders returns with ‘Promises,’ his first major album in nearly two decades. It is a collaboration with the London Symphony Orchestra and is led by Sam Shepherd, a d.j. who produces electronic music under the name Floating Points. Shepherd, an Englishman in his mid-thirties, emerged in the late two-thousands, making boogie-influenced dance tracks. His music soon became more ambient and expansive, as though he were uncoiling his club-oriented songs and exploring where the synth squiggles and hazy textures might go if they were allowed to meander. ...”

​Titian: Women, Myth & Power

 
The Rape of Europa, 1559-1562

“Between 1551 and 1562, Titian created a series of monumental paintings for King Philip II of Spain. Celebrated as landmarks of western painting, the six poesie — or painted poetries — envision epic stories from classical Antiquity. Titian reimagined these familiar tales and used his modern style of painting to shape the future of western art. For the first time in over four centuries, Isabella Stewart Gardner’s fully restored Rape of Europa is reunited with its five illustrious companions in the exhibition’s finale and its only American venue on an international tour including to the National Gallery, London and the Museo del Prado, Madrid. This exhibition explores each painting's story, its drama, raw emotion, and complex consequences illustrated in each painting, reconsidering what the poesie meant in their own time and how they resonate now. ...”

 
Venus and Adonis, about 1553–1554.

Why New York Is Unearthing a Brook It Buried a Century Ago

 
Tibbetts Brook was dammed in the 18th century to create a pond that still exists in Van Cortlandt Park. Part of the brook was buried underground around 1912. 

“New York is a city surrounded by water, from the open ocean to bays to rivers. But there is also an enormous trove of water hidden below its streets and high-rise buildings — hundreds of subterranean streams, creeks and springs that were buried long ago and all but forgotten as the city grew. Tibbetts Brook is one of them. Its final stretch was diverted into a drain in the Bronx around 1912 and sent down to the sewer pipes below to make way for development of the marshland where it used to run. For decades, environmentalists and local activists campaigned to resurface the long-buried stream. Now, a changing climate is making what they struggled to achieve necessary. ...”

 
The original course of Spuyten Duyvil Creek and its junction with Tibbetts Brook, and the island of Paparinemo (now Kingsbridge, Bronx)


​Late nights in Lisboa

 
“Contrary to the prevailing idea that Portugal lies at the margins due to a disadvantaged economic positioning in the EU, that small country on the Atlantic coast was actually central in the making of modern Europe. That is, it was from ports such as Lisbon that the subjects of the Portuguese Christian kings, only a generation or two removed from the rule of the remains of the Umayaad Caliphate, sailed south hoping to circumvent the trade routes that snaked through the much wealthier and African and Asian kingdoms of the time. On their way to the Indian Ocean, they set up trading posts along the African coast that would eventually turn into outposts for the brutal European expansionism, enslavement, and resource extraction that would define the next 500 years. ...”

Francesco Rosi - Hands over the City (1963)

 
“Rod Steiger is ferocious as a scheming land developer in Francesco Rosi's Hands over the City, a blistering work of social realism and the winner of the 1963 Venice Film Festival Golden Lion. This expose of the politically driven real-estate speculation that has devastated Naples's civilian landscape moves breathlessly from a cataclysmic building collapse to the backroom negotiations of civic leaders vying for power in a city council election, laying bare the inner workings of corruption with passion and outrage. ...”

​25th Anniversary Countdown (2 of 13): LX(RMX)

 
“Disquiet.com 25th anniversary countdown, day 2 of 13. In 2012, I had the pleasure of engaging eight musicians to explore the sounds of Lisbon, Portugal. These were: Steve Roden, Robin Rimbaud, Pedro Tudela, Kate Carr, Shawn Kelly, Marielle Jakobsons, Paula Daunt, and João Ricardo. The project was done with an old friend of mine, Jorge Colombo, the phenomenal illustrator, photographer, and designer, to accompany an exhibit of his at the time. In the spirit of Fernando Pessoa (whose The Book of Disquiet provided the name for Disquiet.com), who wrote under (from within) numerous different heteronyms (or authorial identities), each participant did two tracks: one under their own name, and one under their pseudonym. ... More details at disquiet.com/lx-rmx. Design by Brian Scott of Boon Design.”

Speaking with the Multifaceted Street and Studio Artist Will Power

 
“Active on both the streets and in his studio, Will Power fashions stylishly seductive images, often fusing elements of graffiti, street art and fine art. His talents can now be viewed not only on the streets of his native New Jersey and throughout NYC, but in the group exhibition, On and Off the Streets: Urban Art New Jersey, that continues through February 27 at the Morris Museum in Morristown, New Jersey. While selecting studio works to feature in the exhibition, I had the opportunity to interview Will. ...”