Captain Beefheart and The Magic Band - Shiny Beast (Bat Chain Puller) (1978)

 
Shiny Beast (Bat Chain Puller) is the tenth studio album by American rock band Captain Beefheart and the Magic Band, released in October 1978 by Warner Bros. Records. The album emerged from production difficulties surrounding Bat Chain Puller, an album Captain Beefheart recorded for DiscReet and Virgin Records in 1976. DiscReet co-founders Herb Cohen and Frank Zappa feuded over the production of the album, because Cohen funded the production with Zappa's royalty checks. Captain Beefheart recorded a new album titled Shiny Beast (Bat Chain Puller) due to Zappa withholding the master tapes of the original Bat Chain Puller album. ...”

​The Year of Prophetic Desire

 
“The American Right throbs with prophetic desire, from The Late Great Planet Earth, the classic End Times fantasy of Reaganite revanchism, to QAnon’s ‘great awakening’. This is not the prophetic desire of the multitude, of which Hardt and Negri speak. The subcultural apocalyptic anticipations of the United States at the turn of the millennium, with its curious ambivalent opening to the ‘alien’ and the ‘alt’, and its distrust of overpowering elites, had transversal elements that partially flowed into anti-capitalist and anti-imperialist movements. By plague year, however, these currents had been skilfully canalised by online far-right entrepreneurs into outright authoritarian longing. The reactionaries yearn, not for the immanent power of the multitude, but for a word from their celestial trump card. ...”

TriBeCa Gallery Guide: New York’s Most Vibrant Art Scene

 
Looking south on Cortlandt Alley in TriBeCa.

Galleries have been moving to TriBeCa for a good five years, but the migration has finally hit critical mass. As everyone from tiny new project spaces to the blue-chip titan David Zwirner floods in, this cast-iron and cobblestone neighborhood in Manhattan — south of Canal, north of Vesey and west of Broadway — is no longer just one option of many. For any New York-area gallery that needs to move or is opening another branch, TriBeCa is now the most exciting place to show contemporary art — the destination that has to be considered. There are now at least 41 galleries in TriBeCa, according to the real estate broker Jonathan Travis — who placed 22 of those himself — compared with fewer than 20 galleries two years, and still more are set to move in. ...”

 
Works by Milton Graves, the visionary drummer who died this year, at Artists Space. In his remarkable practice and worldview, art, medicine, plants, human perception, the nervous system and the cosmos are all connected

Zonal Marking: From Ajax to Zidane, the Making of Modern Soccer – Michael Cox (2019)

 
August 24, 2019: “In life, it takes time to create successful ideas and concepts. Scientists and researchers spend years, even decades, analyzing and studying data to create trials or a study before publishing the results to the world. … I mention this because it may seem odd at first to take a 17-year period and be able to identify seven overarching and different tactical revolutions in soccer in Europe. However, Michael Cox has long established himself as a tactical observer par excellence and his new book argues that the dominant soccer cultures in Europe in the recent past have existed for merely 2-4 years. Zonal Marking: From Ajax to Zidane, the Making of Modern Soccer makes the claim that we have seen six dominant styles of soccer in Europe since 1992 with each based around a national soccer culture. …”

​Deafman Glance - Robert Wilson (1971)

 
“When Robert Wilson's work first appeared internationally it was generally seen from a single and limited viewpoint—as a return to the image. Wilson was understood as a proponent of two-dimensional theater, of theater to be looked at only. This was because he came into the public eye at the beginning of the ’70s, when the figurative gesture ruled supreme on the stage, and the body, in its expressive entirety, was at the center of a tendency to involve the spectator. But Wilson’s push was to stretch the visual; it was a recuperation of the grand deliriums of the Surrealist painters, basing dramatic narrative on a simple sequence of backdrops and the unfolding of a tableau vivant, immobile yet in continuous and unstoppable evolution. ...”

​On the M4 Bus With Cartoonist Roz Chast

 
“One sunny day in early October, I sit on the sprawling steps of the Metropolitan Museum of Art, waiting for cartoonist Roz Chast. At her publicist’s request, for purposes of identification, I feebly hold aloft a copy of Chast’s new book, Going Into Town: A Love Letter to New York, aware that to the tourists milling around the museum’s entrance it probably appears that I am hocking stolen goods or maybe getting stood up by a Tinder date. Chast is late, but there are few better places for people-watching than the Met steps at lunch (just ask Blair Waldorf), so I spend the time speculating about who might make for good Roz Chast cartoon fodder. ...”

The Skatalites - "Freedom Sounds" (1967)

 
"This week we are back at 13 Brentford Road, Kingston, Jamaica, with Clement ‘Sir Coxsone’ Dodd at the controls for The Skatalites' ‘Freedom Sounds’, first released on the ‘Ska Authentic’ LP in 1964... I have seen this credited to Tommy McCook, Roland Alphonso and just The Skatalites (there is also a rock steady version by The Soul Vendors) but being as they were both in The Skatalites, I am going to stick to that 'umbrella' credit. It was omitted from the 1967 UK issue of ‘Ska Authentic’ which only adds to the confusion, but there is no confusion once you hear the tune. A heavyweight ska classic that became something of a theme for the various line ups of Skatalites that played over the years. Absolutely crucial !’ - KV ...”

Songs in the Key of Consciousness: XI’s Extrasensory Dance Poetry

 
Reid Wilkie, from XI, (Photo by Liz Hassett)

“... Following along that thread, the young African American poet Amanda Gorman saw her popularity soar after her poetry recitation at President Biden’s inauguration, celebrating a new humanistic political era. Marianne Faithfull’s forthcoming spoken word album, She Walks in Beauty, is a commemoration of the Romantic poets and utilizes Nick Cave’s not-so-secret musical weapon, Warren Ellis, to provide much of the aural backdrop. The LA Times even corralled Courtney Love to help hype Faithfull’s newest issue. Rolling Stone devoted frontpage space on its website to the once whispery London chanteuse’s poetic recitations. Poetry is once again king. ...”

Pro-Trump Professors Are Plotting an Authoritarian Comeback

 
“On Halloween, the second National Conservatism conference, or NatCon II, will kick off in Orlando, Florida. It is hard to know quite what to make of the lineup for the three-day fest, which boasts a few household names (Senators Josh Hawley and Marco Rubio are both keynote speakers), but also features conspiracist Jack Posobiec of Pizzagate fame. One through line, with a few exceptions, is support for Donald Trump. But the animating ideas come less from the ex-president than from a disparate group of formerly obscure academics. Media coverage of the Trump phenomenon typically begins and ends with the base—the coal miner at the Midwestern diner, or the MAGA rally crowd. We don’t talk much about the professors. ...”

Sojourner (rover)

 
Sojourner rover pictured by Pathfinder lander

Sojourner is a robotic Mars rover that landed in the Ares Vallis channel in the Chryse Planitia region of the Oxia Palus quadrangle on July 4, 1997. Sojourner was operational on Mars for 92 sols (95 Earth days). It was the first wheeled vehicle to rove on a planet other than Earth and formed part of the Mars Pathfinder mission. The rover was equipped with front and rear cameras, and hardware that was used to conduct several scientific experiments. ... The Sojourner mission formally ended on March 10, 1998, after all further options were exhausted....”

Faust: 1971 – 1974 Box Set

“Of all the kosmische bands, Faust were the least ‘Krautrock’ with a capital K. In Faust’s three-year imperial phase, there’s none of the perceived teutonic efficiency or arch awareness of Kraftwerk; little of the benign new age leanings of Tangerine Dream and Cluster and, while they shared rhythmic characteristics with motorik pioneers Can and Neu!, Faust always had a Dadaist impulse to disrupt anything that might be running too smoothly, as much inveterate self-saboteurs as sonic innovators. Faust were always the strangest of the strange, the outliers, the black sheep, completely unclassifiable, a genre all of their own. ...”

2012 October: Faust

Joan Mitchell - SFMOMA

 
“In 1948, Joan Mitchell was a 23-year-old artist living in a drafty apartment in Paris. She had arrived in France in the aftermath of World War II to a nation that was still reeling from rations and riots. A newly minted graduate of the Art Institute of Chicago, Mitchell had come to Paris to study the history of French painting and learn the techniques of the masters but found that her workaholism had frayed her nerves and rendered her too anxious to take part in the bustling social life of the city. Mitchell spent her nights awake, feverishly trying to improve her craft, huddling around her stove for warmth. ...”
 
Bonjour Julie, 1971

Demystifying Nick Cave and the Bad Seeds’ “Red Right Hand,” and How It Was Inspired by Milton’s Paradise Lost

 
“Youtuber Polyphonic has done a good job of looking at some hoary old classics of ‘60s rock, but he doesn’t always dip his toe in taking on contemporary music, or even considering a modern canon. Pronouncing what is essential listening of the last few decades is a minefield, especially among the ranks of Commentus YouTubus.So their choice to explore Nick Cave and the Bad Seeds’ ‘Red Right Hand’ is a deft one. It’s not Cave’s most well-known song—-that would be ‘The Mercy Seat’—-but it’s one that many non-Cave fans know regardless. Though released in 1994, it’s now best known as the theme song from Peaky Blinders, though it also showed up in all three of the first Scream films. It’s been used to sell tequila and tourism as well. ...”

​The great betrayal: how the Hillsborough families were failed by the justice system

 
After 32 years of establishment lies, media smears, inquests, trials and retrials, the families of the Hillsborough dead have yet to see anyone held accountable, October 21, 2021: "On a grey morning in May this year, the English legal system’s epic failure to secure justice for the families devastated by the Hillsborough disaster finally ground to its dismal conclusion. Ninety-seven people were killed due to a terrible crush on an overcrowded terrace at the FA Cup semi-final between Liverpool and Nottingham Forest at Sheffield Wednesday’s Hillsborough football stadium on 15 April 1989. Since then, the families have endured a 32-year fight for the truth to be accepted – that the main cause of the disaster was police negligence, and for those responsible to be held accountable. ...” 

Red Eye to New York - Janet Delaney (2021)

 
“Throughout the 1980s, Janet Delaney’s job in a San Francisco photography lab was punctuated by the last-minute flights she would take to New York as a courier. Within these unexpected pockets of time she spent in New York, Delaney would wander the streets with her Rolleiflex camera, attending to the rhythms and characters of this much-mythologised city. Despite being tired and often lost, the act of photographing made Delaney feel present and alert, in tune with the crowds that pushed past her and mesmerised by the depth of history woven into the city’s structures. ...”

​Krautrock: The Rebirth of Germany

 
“Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war. Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal – a forward-looking desire to transcend Germany’s gruesome past – but that didn’t stop the music press in war-obsessed Britain from calling them Krautrock. ...”

​A Bacchanal, follower of Dosso Dossi, 1525

 “This orgy in the countryside is a raw and racy take on a classical theme. It’s set in a mythical golden age, or at least bronze age, inspired by ancient Roman poetry, where goat-legged satyrs hang out with cupids and nymphs. Bacchus was the god of wine and his followers drunken reprobates. Titian’s Bacchus and Ariadne, perhaps the most famous depiction of bacchanalian behaviour, was painted as part of a series of mythic scenes for the Duke of Ferrara in the early 1500s (and today hangs in the National Gallery). This painting also from Ferrara, is in the fierce, intense style of local painter Dosso Dossi. But it playfully takes Titian’s classical revels into more pornographic territory, with dangerous liaisons everywhere you look.“

Five Corners - Tony Bill (1987)

 
“'Five Corners,' opening today at the Baronet and other theaters, is about coming of age in the Bronx in the autumn of 1964, when student activists were listening to the Rev. Dr. Martin Luther King Jr., young women were still doing their darnedest to look like Jacqueline Kennedy and glue-sniffing was an acceptable way to attain a high. Directed by Tony Bill, the film is based on John Patrick Shanley's first screenplay. ... In a period of approximately 24 hours, 'Five Corners' tells the stories of Linda (Jodie Foster), her sometime boyfriend James (Todd Graff) and Harry (Tim Robbins), who's about to go off to register voters in Mississippi. Their comparatively placid lives are thrown into chaos with the arrival back in the neighborhood of Heinz (John Turturro), a young psychotic who has been serving time for the attempted rape of Linda. ...”

United States: Essays, 1952-1992 - Gore Vidal (1993)

 
United States collects 114 essays written by Gore Vidal over the last four decades. Despite the reproduction of Jasper Johns’s forty-eight-star flag on the dust jacket, less than half of them are about politics. The rest describe books, places, and people he has known. ... Most of these pieces are anchored to a discussion of some book. If it is a book he likes, Vidal provides a summary that is both detailed and interesting. He favors a bright, staccato prose, which draws its variety from the length of its sentences. Short fragments. Good for facts. These will be followed by long, elliptical tendrils of analysis or appraisal, occasionally wise, often witty, and when neither, at least … bitchy. ...”

​In the Company of Wes Anderson

 
“It’s his first film set in France, and the first done as an anthology. But Wes Anderson’s 10th movie, ‘The French Dispatch,’ was made in much the same way, and with much the same cast, as many of the features that preceded it. Along with his fastidious and vibrant visual sense and staccato pacing, his company of free spirits has become his signature. ... ‘The French Dispatch,’ about writers at a midcentury magazine based on The New Yorker, is set in the fictional town of Ennui-sur-Blasé and was filmed in Angoulême, France. ...”

How Neal Stephenson’s Sci-Fi Novel Snow Crash Invented the “Metaverse,” Which Facebook Now Plans to Build (1992)

“Whatever the benefits and pleasures of our current internet-enriched world, one must admit that it’s not quite as exciting as the setting of Snow Crash. Originally published in 1992, that novel not only made the name of its author Neal Stephenson, it elevated him to the status of a technological Nostradamus. It did so, at least, among readers interested in the internet and its potential, which was much more of a niche subject 29 years ago. Of the many inventions with which Stephenson furnished Snow Crash‘s then-futuristic 21st-century cyberpunk reality, few have captured as many techie imaginations as the ‘metaverse,’ an enormous virtual world inhabited by the avatars of its users. ...”

2021 September: Cryptonomicon (1999)

​Illuminate I Could: On Lucille Clifton

 
Caroline and son. Courtesy of the Clifton family.

What is our relationship to history? Do we belong to it, or is it ours? Are we in it? Does it run through us, spilling out like water, or blood? I think the answers to those questions, at least in America, depend upon who you are—or rather, on who you’ve been taught to believe that you are. If the history you descend from has been mapped, adapted, mythologized, reenacted, and broadcast as though it is the central defining story of a continent, perhaps you can be forgiven (up to a point) for having succumbed to a collective distortion. ...”

The Long Crisis: New York City and the Path to Neoliberalism - Benjamin Holtzman (2021)

 
“... The reasons for that seemingly abrupt development were complex and long in the making, and they are traced with precision and care by Benjamin Holtzman’s history of the intertwined crises of liberalism and the metropolis, The Long Crisis: New York City and the Path to Neoliberalism (Oxford 2021). Whereas Smith opens The New Urban Frontier with the policing of houselessness at Tompkins Square Park, Holtzman’s book concludes with it, building over five chapters before coming to a crescendo with the 1980s spike in houselessness. The action in that final chapter sits like an all-too-avoidable train wreck whose multi-causal derailing demands careful study. We are fortunate to have Holtzman holding the magnifying glass....”

Raincoats - The Kitchen Tapes (1983)

 
“The first thing to be said about the Raincoats is that they are the most appropriately named London band in the history of pop music. The second is that their music has moved from emotional manifestations of situations and events to statements of emotional positions taken on situations and events–and that the music here, recorded at the Kitchen in New York City in December, 1982, is a result of the latter approach. In other words, these are performances of songs. As such they can speak for themselves, but the Raincoats did not always ‘perform songs,’ and before they are subsumed into rock history–the band may well be gone by the end of 1983–or marked off as a half-page in one more new-women-in-rock book, it might be worth noting what they did instead. ...” 

2015 July: Odyshape (1981), 2017 January: The Raincoats (1979)

​Cockroaches, car camping, poverty wages: Why are minor-leaguers living in squalor?

 
“It happened in Rochester, home of the Nationals’ Triple-A affiliate, a few times during the early part of the season. In San Antonio, where the Padres’ Double-A team is located, they’re up to five break-ins this year, as players’ cars — which can double as living quarters or storage facilities — are easy fodder for a potential burglar. Several players on the Brewers’ Triple-A roster in Nashville piled into a small one-bedroom apartment thinking they struck gold within their budget: instead they found a roach infestation. At the Mets’ Double-A affiliate in Binghamton, N.Y., last month, a group of players lost electricity and went nearly three days without power and running water. ...”

​The Best of Townes Van Zandt

 
“After a number of short-lived compilations, it seems that The Best of Townes Van Zandt is finally going to be the album that definitively represents Van Zandt's classic Tomato recordings. ... On the plus side, it is generally agreed that Van Zandt's music is best heard in an intimate acoustic setting, and The Best of Townes Van Zandt leans heavily toward that supposition, featuring ‘Tecumseh Valley’ and ‘White Freightliner Blues’ from the concert album Live at the Old Quarter and the second recorded version of ‘For the Sake of the Song’ that Van Zandt preferred to the 1968 original. ... People are going to cry out over some of this stuff, asking where's this and that, but such omissions ensure that people will continue to buy Van Zandt's proper records, and that is essential.”

90 Seconds of Rage

 
“The American flag became a blunt instrument in the bearded man’s hands. Wielding the flagpole like an ax, he swung once, twice, three times, to beat a police officer being dragged down the steps of a United States Capitol under siege. Other officers also fell under mob attack, while the rest fought to keep the hordes from storming the Capitol and upending the routine transfer of power. Sprayed chemicals choked the air, projectiles flew overhead and the unbridled roars formed a battle-cry din — all as a woman lay dying beneath the jostling scrum of the Jan. 6 riot. Amid the hand-to-hand combat, seven men from seven different states stood out. Although strangers to one another, they worked as if in concert while grappling with the phalanx of police officers barring entry to the Capitol. ...”