Looking for a Berenice Abbott bar on 56th Street
Various Artists – From Brussels with Love
YouTube: From Brussels With Love 17 videos
Bruegel as Cinema
“Pieter Bruegel the Elder’s The Hunters in the Snow is a study of apocalypse. In 1565, the year the painting was completed, as a number of climatologists and historians have noted, Europe was in the midst of the Little Ice Age. People starved. Agricultural communities regressed to hunting and gathering. Good Christians regressed to survival of the fittest. Except for one dead fox and a tiny, full-ish game bag, Bruegel’s hunters have come home empty-handed. They pass a tavern whose sign shows Hubertus, the patron saint of hunting. The sign hangs crookedly, one stiff gust away from falling. ... Bruegel seems like a better fit for a certain type of film than for poetry. His indiscriminate eye; his contempt for obvious ‘takeaways’; his wide, lucid images withholding judgment—in all these ways, he anticipates the ‘slow cinema‘ of the last few decades. It seems appropriate that director Andrei Tarkovsky, a pivotal figure in the flourishing of this kind of cinema, should be the first major filmmaker to put Hunters to work onscreen. ...”
2010 May: Peasant, 2011 March: "The Harvesters", Pieter Bruegel the Elder, 2012 February: The Mill and the Cross - Lech Majewski, 2012 December: The Lord of Misrule and the Feast of Fools., 2013 July: Netherlandish Proverbs, 2014 August: Children's Games (1560), 2016 May: The Hunters in the Snow (1565), 2018 November: Peeling Back the Paint to Discover Bruegel’s Secrets 2012 May: Solaris, 2018 October: Andrei Rublev (1966)
The Libraries of My Life By Jorge Carrión Image
“I was thirteen and wanted to work. Someone told me that you could get paid to referee basketball games and where to go to find out about such weekend employment. I needed income to bolster my collections of stamps and Sherlock Holmes novels. I vaguely remember going to an office full of adolescents queueing in front of a young man who looked every inch an administrator. When my turn came, he asked me if I had any experience and I lied. I left that place with details of a game that would be played two days later, and the promise of 700 pesetas in cash. Nowadays, if a thirteen-year-old wants to research something he’s ignorant about, he’ll go to YouTube. That same afternoon I bought a whistle in a sports shop and went to the library. ...”
The Sopranos - Season 6
YouTube: Season 6 Trailer - Official HBO, The Sopranos - Season 6 107 videos
Ralph Steadman: A Life in Ink Image
Trump’s Crazy and Confoundingly Successful Conspiracy Theory Image
W - Biden–Ukraine conspiracy theory
***Taking Giuliani’s Insane, Un-American Press Conference Seriously (Video)
****** NY Times: He Pretended to Be Trump’s Family. Then Trump Fell for It.
March 2020: Can YouTube Quiet Its Conspiracy Theorists?, 2020 October: QAnon, Blood Libel, and the Satanic Panic
Cyberpunk
Sugar Minott - Sugar Minott @ Studio 1
AIAC RADIO: Freetown’s musical soup
The American Friend - Wim Wenders (1977)
NY Times: Wim Wenders’s High Plains Grifter - J. Hoberman (Feb. 12, 2016)
Separated by Distance? Send Pressed Flowers
Harry Dean Stanton Day
2012 March: Paris, Texas (1984), 2014 August: Harry Dean Stanton: Partly Fiction, 2017 September: Harry Dean Stanton (July 14, 1926 – September 15, 2017) , 2020 April: Harry Dean Stanton - Blue Eyes Crying In The Rain, etc....
Housing Works
“A large chunk of the Queens Museum is taken up by its most famous attraction: the permanently installed and periodically updated to-scale Panorama of the City of New York built for the World’s Fair in 1964. Commissioned by Robert Moses, the urban planner instrumental in engineering a postwar city that catered to an exclusionary class of day-tripping managers as a growing undercommons transitioned to a service or underground economy, its proximity to a current exhibition on housing injustice and urban planning, ‘After the Plaster Foundation, or, Where can we live?,’ makes for a rich historical and discursive combination. The miniature city’s production also roughly coincides with the timeline of the new exhibition, which begins with Jack Smith’s eviction from his SoHo loft (he called it the Plaster Foundation), undoing some of the mythologies about the free and easy lives of bohemian artists in the ’60s. ...”
Cross-Device Ambient - Ambalek
The Myth of North America, in One Painting
Lou Reed Concert Film Berlin Streaming Free Online for the Next Week
2010 August: Heroin, 2011 June: All Tomorrow's Parties - The Velvet Underground, 2011 June: The Velvet Underground, 2012 November: Songs for Drella - Lou Reed and John Cale, 2013 October: Lou Reed (1942 - 2013), 2014 June: The Bells (1979), 2014 August: New York (1989), 2015 June: Capitol Theatre Passaic, NJ 9/25/1984, 2015 October: The Blue Mask (1982), 2016 March: New Sensations (1984), 2016 May: Coney Island Baby (1976), 2017 March: Celebrating Lou Reed: 1942–2013, 2017 November: Watch Footage of the Velvet Underground Composing..., 2018 February: Street Hassle (1978), 2018 October: Lou Reed at The Ritz (07-16-1986), 2019 February: Lou Reed, John Cale And Nico - Le Bataclan '72 (1972)
Notes from the Bathysphere
“I’m writing from the outskirts of the small town of Tarapoto, in northeastern Peru. My ostensibly short trip here last March intersected with the declaration of a state of emergency: complete shutdown of domestic travel, strict curfew, international borders sealed. There were expensive ‘humanitarian flights’ requiring government permission to travel to Lima; otherwise, it was impossible to move. This was meant to keep the virus out. By midsummer the situation improved elsewhere while Peru was suddenly in the global epicenter, and lockdown was meant to keep the virus in. Now the situation is reversing again, travel restrictions are loosening, and after eight months, I’m faced with the option of heading home. Before the pandemic, I was living in Harlem, teaching at City College, and working on a book about the writings that remain from the bathysphere dives—strange, poetic texts that constitute the first eyewitness account of the deep ocean. ...”