How Q Became Everything


"You can track QAnon’s arc, like most things in America, through its relationship with corporate brands. Although the conspiracy movement emerged out of fringe imageboards in 2017, its first viral successes came on Facebook and YouTube, where its lore envisioning Donald Trump fighting an elite cabal of liberal pedophiles was honed and refined. When Covid came in 2020, QAnon ballooned under lockdowns, putting it in the mainstream, but leaving it short of actually being mainstream. Call it the Wayfair era. In July 2020, followers of QAnon began spreading a particular pedophilic panic: the absurd notion that the online furniture retailer was selling children for sexual abuse via armoire orders. Non-Q masses took the bait: 'Mentions of Wayfair and trafficking have exploded on Facebook and Instagram over the past week,' the Associated Press wrote at the time, noting that related TikTok hashtags 'together amassed nearly 4.5 million views.' A national human trafficking hotline issued a press release warning that a flood of calls about the conspiracy had distracted them from genuine work. ..."



A QAnon conspiracy theory button sits affixed to the purse of an attendee of the Nebraska Election Integrity Forum on Saturday, Aug. 27, 2022, in Omaha, Neb. Former President Donald Trump is increasingly embracing and endorsing the QAnon conspiracy theory, even as the number of frightening real-world incidents linked to the movement increase. On Tuesday, Sept. 13, 2022, using his Truth Social platform, Trump reposted an image of himself — wearing a Q lapel pin — overlaid with the words “The Storm is Coming."
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Supreme Court Upholds Access to Abortion Pill

The decision will most likely fuel efforts to restrict access to abortion pills in other ways.

"The Supreme Court on Thursday maintained access to a widely available abortion pill, rejecting a bid from a group of anti-abortion organizations and doctors to unravel the Food and Drug Administration’s approval of the pill. In a unanimous decision, written by Justice Brett M. Kavanaugh, the court held that the plaintiffs lacked standing to challenge the F.D.A.’s actions. Justice Kavanaugh wrote that the groups could instead seek greater regulatory or legislative restrictions on the drug, mifepristone, and noted that doctors who oppose abortion are shielded by so-called conscience protections in federal law, which mean they are not required to provide treatment that would 'violate the doctors’ religious beliefs or moral convictions.' ..."




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Glacis ~ Perseverance (2024)


"In December 2015 I moved with my family to the Scottish Borders. Having lived my entire life in cities this was my first time living in the countryside. It was remote, living in a cottage on a farm up a single track road. Out the front window was an old farmhouse, looking down on these quaint workers' cottages. Out the back window were endless fields along with the sound of silence. And yet the countryside is never silent. We simply cannot hear the incredible noise made by animals and plants that exist all around us. One of the first things I did when we moved to the Borders was source and purchase an upright piano. I’d not had access to one since I lived at my parents house in Dundee. Overstrung. The only choice. It took time to source one and to ensure that it was capable of being tuned. It was a beautiful creature too. Simple on the outside but when the front was removed the inner detailing was like a snakeskin - something that my piano tuner commented he had never seen before. ..."

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Madge Gill: The artist whose brush was guided by a ghost


"Any decent artist will be all too aware that inspiration can strike at the most unexpected moments. Throughout history, artists have drawn inspiration from countless unexpected avenues, from the childhood hallucinations of Yayoi Kusama to L.S. Lowry’s penchant for factory towers and smog. Even the mysterious supernatural plane has acted as inspiration for the world of painting, but none more so than Madge Gill, the celebrated outsider artist who was helped along by the spirit world. The realm of outsider art is as broad and varied as the artistic medium itself. Generally, the term can be applied to any artist who was not classically trained in the art world, meaning that a lot of outsider art is made by self-taught visionaries willing to push the boundaries of what can be considered profound art. Madge Gill’s work is particularly beloved within the realm of outsider art, managing to capture a complex range of emotions and themes through various different mediums. ..."

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Read Your Way Through New Orleans


"New Orleans is a tourist destination frequented as much for its local dishes (gumbo, jambalaya, among others) as for the spectacle that is Mardi Gras — where you may run into drunk college students on spring break, but could also bump into the Grammy Award-winning artist Jon Batiste. By some counts, it’s one of the most festive cities in America, with a party or two happening almost every week. Behind all the festivities, though, is a rich and dark history. The city is an eclectic mix of Caribbean, French, Spanish and Native American cultures, and, depending on which neighborhood you encounter, you may feel a sense of disorientation. ... The literature of New Orleans is an important supplement to your experience of the city. These books are both a compass to guide you through its many different influences and a celebration of the free spirit that has made the city a haven for itinerant artists, writers and travelers in search of a new perspective. ..."

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Crosshatching the City: ‘Stan Mack’s Real Life Funnies’ Overheard the Voices of New York


"In 1974, illustrator and cartoonist Stan Mack found himself asking the graphic arts virtuoso Milton Glaser, who had just taken over as design director of the Village Voice, if he could do a piece in which he would essentially 'wander the city, listening to people and sketching them.' Glaser upped the ante, telling Mack to 'do it as a weekly comic strip. They’re circulation builders: people turn to them first before going on to the serious stuff.' Mack rose to the challenge, and for more than 30 years he took pencils, pens, and sketchbooks to bars, restaurants, art galleries, movie queues, sex clubs, parks, and anywhere else New York’s denizens gathered. Now, 50 years later, hundreds of Stan Mack’s Real Life Funnies have been transmuted from yellowed newsprint into big glossy pages between hardcovers. ..."




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Teddy's Bar & Grill


"The most distinctive feature of Teddy’s Bar at 96 Berry Street is the projecting wood and sheet-copper corner storefront with a beautiful decorative-glass transom reading 'Peter Doelger’s Extra Beer'. Portions of the storefront were rebuilt after a car crashed into it about 10 years ago, but most of it – and all of the decorative glass - dates to at least 1907. That stained-glass transom is the source of much of the mythology that surrounds 96 Berry, tying it to a 19th-century beer baron and a 20th-century Hollywood icon. The odds that either ever set eyes on the building are practically nil. What actually happened at 96 Berry Street is far less glamorous than movie stars and beer barons, but it tells the story of Williamsburg and Brooklyn in the decades surrounding the turn of the 20th century, one of shifting populations and changing capitalist landscapes. And at the very least, this story is true. ..."




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Cut UP. Deconstructing W. S. Burroughs - Various Artists


"... Between the end of the 1950s and the beginning of the 1960s, the literary and stylistic technique of William S. Burroughs (Saint Louis 1917-Lawrence 1997) influenced an entire generation that was, in those years, in direct collision with the social system. A somewhat controversial and brilliant figure, a man on the fringes of civilization. From his mind emerged the creative writing technique that burst onto the scene under the name of Cut-Up. This procedure was previously introduced by the Dadaist poet Tristan Tzara, involving cutting words from an existing text to generate a new meaning by mixing the various words in a different order. Burroughs took this technique to the extreme, making it very popular and influencing every artistic realm, particularly the field of rock and experimental music. The list of his disciples in the musical domain is extensive, including names like David Bowie, Patti Smith, Frank Zappa, Sonic Youth, Bob Dylan, and Throbbing Gristle, to name just a few. It is from this devotion to the technique and the persona of this legendary writer that the homage by the Unexplained Sounds Group and the musicians involved in the project is born, paying tribute to the great American writer. ..."

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Tintin inspired away kit homage to cartoonist Hergé


"... adidas and the Royal Belgian Football Association (RBFA) proudly present the new home and away kits for Belgium’s national teams. The new home kit features a luxurious dark shade of red, stand-out gold details and a fashion inspired graphic pattern that has been embossed in the jersey. The away kit is a homage to Belgian cartoonist Hergé and the comic character he is most known for: Tintin. Fitting the outfit Tintin was most featured in, the away kit for the Belgian Red Devils features a blue jersey with characteristic white collar, brown shorts, and white socks. The home and away jersey share a fashion inspired graphic pattern that has been embossed in the jersey, giving it a luxurious look, and making the jerseys’ appearance slightly different as light hits it. ..."

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Patti Smith Reads Her Final Letter to Robert Mapplethorpe, Calling Him “the Most Beautiful Work of All”


"If you go to hear Patti Smith in concert, you expect her to sing 'Beneath the Southern Cross,' 'Because the Night,' and almost certainly 'People Have the Power,' the hit single from Dream of Life. Like her 1975 debut Horses, that album had a cover photo by Robert Mapplethorpe, whom Smith describes as 'the artist of my life' in Just Kids, her memoir of their long and complex relationship. A highly personal work, that book also includes the text of the brief but powerful goodbye letter she wrote to Mapplethorpe, who died of AIDS in 1989. If you go to hear Smith read a letter aloud, there’s a decent chance it’ll be that one. ..."

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During Impassioned Defense of Trump, Congressman’s 6-Year-Old Steals the Spotlight


"Fresh back from a weeklong recess, Representative John W. Rose, Republican of Tennessee, was fired up and among the first to speak on the House floor on Monday, when he used his five minutes of floor time to castigate the criminal conviction of former President Donald J. Trump. ... As Mr. Rose intoned the familiar lines of attack that rank-and-file Republicans have recited during television appearances and social media posts in the days since Mr. Trump was convicted on 34 felony counts, entering them into the Congressional Record, his son Guy, age 6, was putting on a performance of his own. ..."

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Ancient Moroccan mountain music entrances festival crowd


"A hypnotic drum beat blends with ancient Sufi-inspired tunes in a tent in a Moroccan mountain village where local musicians regroup once a year when they don't play the world's top stages. The Master Musicians of Joujouka draw on centuries of local tradition with a hypnotic sound that captivated the 1950s Beatniks, the Rolling Stones' Brian Jones and fans everywhere since. The Joujouka collective has performed at top global venues from Paris's Pompidou Centre to Britain's Glastonbury Festival. But every spring, they like to play to a more intimate audience of only about 50 devotees in their village located 80 kilometres (50 miles) south of Tangier. Rolling Stone magazine once dubbed the tribal trance festival 'the oldest, most exclusive dance party in the world'. ..."




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Yuri Rozhkov’s photomontages for the Mayakovsky poem “To the Workers of Kursk” (1924)


"In 1924, the self-taught artist Iurii Nikolaevich Rozhkov created a series of photomontages inspired by Vladimir Maiakovskii’s poem 'To the Workers of Kursk' and the geological discovery of the Kursk Magnetic Anamoly (KMA). Rozhkov’s series for Maiakovskii’s ode to labor is both an example of the political propaganda of the reconstruction period of the NEP era and a polemical answer to all those who relentlessly attacked Maiakovskii and criticized avant-garde art as alien to the masses. The article introduces Rozhkov’s less-known photomontage series as a new model of the avant-garde photopoetry book, which offers a sequential reading of Maiakovskii’s poem and functions as a cinematic dispositive of the early Soviet agitprop apparatus (dispositif). Aleksandar BoÅ¡ković argues that the photopoem itself converts into an idiosyncratic avant-garde de-mountable memorial to the working class: a dynamic cine-dispositive through which the the early agitprop apparatus is realized in lived experience, reproduced, and transformed, thus delineating its shift towards the new dispositif of the late 1920s — socialist realism. ..."

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Dirk Serries


"Dirk Serries is an established sound artist. This Belgian-based artist has experimented with music on the border between avant-garde, industrial, experimental, and ambient for more than 30 years. He released his earliest work (1984) behind the pseudonym vidnaObmana up to 2007, with which he gained worldwide praise when he closed the book on this project (realizing an extensive discography). Other projects like Fear Falls Burning and his Microphonics series made him collaborate with several key players like Steven Wilson, Justin K. Broadrick, Cult Of Luna, Steve Roach, and toured extensively on the sides of Jesu, MONO, Low, My Bloody Valentine, and Cult Of Luna. ..."




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--------- TRUMP GUILTY ON ALL COUNTS--------


"Donald J. Trump was convicted on Thursday of falsifying records to cover up a sex scandal that threatened to derail his 2016 presidential campaign, capping an extraordinary trial that tested the resilience of the American justice system and will reverberate into November’s election. Mr. Trump was convicted on all 34 counts of falsifying business records by a jury of 12 New Yorkers, who deliberated over two days to reach a decision in a case rife with descriptions of secret deals, tabloid scandal and an Oval Office pact with echoes of Watergate. The former president sat largely expressionless, a glum look on his face, after the jury issued its verdict. His sentencing was scheduled for July 11. The jury found that Mr. Trump had faked records to conceal the purpose of money given to his onetime fixer, Michael D. Cohen. The false records disguised the payments as ordinary legal expenses when in truth, Mr. Trump was reimbursing Mr. Cohen for a $130,000 hush-money deal the fixer struck with the porn star Stormy Daniels to silence her account of a sexual liaison with Mr. Trump. The felony conviction calls for a sentence of up to four years behind bars, but Mr. Trump may never see the inside of a prison cell. ..."




 
 
***NY Times: Extraordinary Circumstances, Ordinary Due Process
 
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Zelda Fitzgerald on the importance of materialism in womanhood


"Being overshadowed by your husband isn’t unknown in the realm of American art and literary history, but Zelda Fitzgerald was much more than just a muse. Although she reaped the rewards of a life born to privilege and had a beauty and charm that rivalled even the warm glow of a setting sun, celebrating womanhood was a fast track to being branded outlandish. In the 1920s, Zelda’s marriage to F. Scott Fitzgerald catapulted the pair into the public eye. Due to her excessive partying, Zelda quickly earned a reputation as a flapper. To be a flapper was largely frowned upon, especially by the older generations, who regarded the entire subculture as made up of women who weren’t very intelligent or aspirational. ..."


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Joseph Mitchell – Up in the Old Hotel

"On and off over the 20-odd years that I have been trying to write journalism, I have carried around in my bag Joseph Mitchell's book, Up in the Old Hotel. Mitchell grew up in rural North Carolina at the beginning of the last century, came to New York as a young man to work as a crime correspondent in Harlem, and subsequently became known at the New Yorker magazine as the pioneer of a particular kind of reporting that owed something to Mark Twain: extended portraits of people and places at the margins of the city, told with all the patience of a novelist, and the precision of a newspaperman. Up in the Old Hotel collects all of the stories Mitchell wrote in this manner, for The New Yorker, from between 1943 and 1964. ..."

Guardian – Joseph Mitchell: mysterious chronicler of the margins of New York

NY Times: This Was New York. It Was.

NY Times: My Ears Are Bent – Joseph Mitchell

W – Joseph Mitchell

amazon

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Ed Herrmann


"Equally at home with free improvisation, analog electronics, and invented instruments, Ed Herrmann has composed music for dance, theater, and broadcast; created site specific sound installations; produced and hosted radio, podcasts, and audio tours. After studying music composition and learning analog synthesis on an Emu modular and EMS Synthi, a three panel Serge system became the primary instrument; decades later adding eurorack, Moog, and acoustic instruments. San Francisco, later Chicago, now Missouri, splitting time between studio and garden. ..."


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Vulgarity and violence: unpacking Nick Cave’s ‘Stagger Lee’


"A guitar chugs like metal scrapping. A discordant piano smacks down on something close to a chord. The drums sound more like doors being kicked down or glasses being smashed. Then, as Nick Cave’s voice kicks off, he barely sings a note. From start to finish, on every level and in every texture, ‘Stagger Lee’ isn’t interested in being a song. Every element serves the story, building a world for this one despicable figure, 'that bad motherfucker called Stagger Lee'. Cave’s early works were always immersed in storytelling. In fact, it seemed that as a writer, he was utterly uninterested in writing about himself or dealing with relatable emotions. ... Across Murder Ballads, a cast of characters come up like Henry Lee, Kylie Minogue’s Eliza Day, or the drinkers at O’Malley’s Bar. But none of them has ever taken on quite as thorough of a form as ‘Stagger Lee’ or has captured Cave’s fans in quite the same way. ..."

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Taking a stand - Maher Mezahi


"In North Africa, there’s a time-honored saying: 'When it comes to football, the spectacle is not on the pitch but in the stands.' Over the past two decades, the region has produced some of the football world’s most electrifying atmospheres at matches, despite attempts by some countries to sanitize the game. This is largely thanks to the ultra groups that have emerged from Morocco to Egypt in the 21st century. According to Martino Simcik, an expert on global fan culture, being part of an ultra group is about 'living your passion for your team 24/7.'  Ultras engage 'in certain rituals that [distinguish them] from the average fan.' As Simcik explains, these actions include choreography, singing, making graffiti, and often physical confrontation and violence. ..."

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NYC Manhole Covers: History and How They're Made

NYC’s oldest manhole cover dates to 1862 and sits across from the Port Authority Bus Terminal

"How many manhole covers are there in New York City? How are they made? Where do they lead to? In an episode of The Untapped New York Podcast we go over manhole covers 101 and discuss why New Yorkers find them to be such curious objects. We speak with Lisa Frigand, the former Manager of Cultural Affairs at the NYC Department of Environmental Protection, Natasha Raheja, an anthropologist at Cornell University who made the film Cast in India about how manhole are made, and with Justin Rivers, Untapped New York’s Chief Experience Officer, who will talk about his personal experience going down into a manhole. We’ll also look at a unique manhole cover art project that popped up in Greenwich Village. By the end of the episode, you’ll also have the answer to that famous interview question, why are manhole covers round? ..."


2013 May: W - Manhole

On Minetta Street, a NYC Sewer Made in India manhole cover sits next to a more old-school DPW manhole cover
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Stalker - Music inspired by Andrej Tarkowskij's movie - Various Artists (2024)


"... 'Stalker' is Eighth Tower's tribute to the cinematic masterpiece 'Stalker' (1979) by Russian director Andrej Tarkowskij. Tarkowskij 's second science fiction film after Solaris, 'Stalker' is based on a novel by the Strugackij brothers, Arkadij and Boris, renowned authors of Soviet science fiction. ... The Zone is primarily the interior of a rural territory that has been disrupted by an unspecified event, perhaps the fall of a meteorite or the passage of an extraterrestrial spacecraft. Within it, strange and mysterious events occur, and many people have disappeared. ... The world of 'Stalker,' filmed in Estonia, Russia, and Tajikistan, is a science fiction of inner space, reminiscent of Ballard, a dreamlike space. Leaning light poles, debris, abandoned huts. The film's world is heavily degraded and contaminated by trash, debris, and wreckage. A damp world, flooded, with puddles and rain. ..."


2012 May: Solaris, 2018 October: Andrei Rublev (1966), 2020 December: Bruegel as Cinema, 2022 December:  Mirror (1975), 2023 January: Stalker (1979), 2023 July: Zones: Post-industrial aesthetics and environments after Stalker

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The Storyteller - A Musical Tribute to Yusef Lateef by The Nat Birchall Quartet (2019)


"... With 20 years passing since his first foray into recorded jazz, Nat Birchall now ranks as one of the premier saxophonists of his generation. With several highly acclaimed albums in the locker, he now returns with his most ambitious project yet – a tribute to the legend that is Yusef Lateef. ... Lateef was such a colossus of music, and his scope so broad, that I couldn't hope to begin to cover his musical universe. He was a master of the tenor saxophone, a master of the flute, a master ballad player, a master blues player. Not to mention his skills as a composer and arranger and of course his exploration and use of musical methodology and instruments from all over the world. ..."






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The Essential Don DeLillo


"... And to ask that of DeLillo, who by the time of that interview had poured out almost a dozen novels in a torrent of productivity, probing his interests in everything from sports to mathematics to the inflection points of the American century … well, no wonder the man had a reputation for being paranoid. In fact, despite all of DeLillo’s fascination with terrorism and death cults and the impotence of the individual swept up in unstoppable social forces, I’ve never considered him to be an especially paranoid writer. Anxious, sure — anxiety being one of his great themes, and one of the reasons he has so often seemed prophetic — but as a stylist he’s too cool and too alert to absurdity to be a true paranoid. I mean cool in every sense of the word: a little chilly, a little detached, and also ironic and knowing and hip, cool like the jazz he has cited as an influence on his sentences.


2021 May: Don DeLillo

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Taking the Lagos train


"For a moment, Pride & Prejudice finally had some sound. For Nigerians familiar with the movie, and who have also taken a train from and/or to Lagos, there’s a particularly unchanging experience that is having a look at the 2005 adaptation of the famous Jane Austen novel. 'Having a look' is perhaps the most appropriate term, as the movie is always shown, without sound, meaning it’s not so much being viewed as it is an item of display. But on this occasion, there was a modicum of sound, hard to make out, but existent because this was in the quiet of the Business Class section of the train. If there’s an element to highlight the disparity of societal position via Nigerian trains; it’s probably this: the quiet that affords one to almost hear what is regularly unheard, a level of moving comfort attained; unlike in the Standard Class, where it’s more congested, there’s less room to sit, and there’s as little possibility as there is interest in whatever audio is coming out of that Joe Wright movie. ..."




Blue line, red line, railway stations and airport
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Revolutionary cinema: ranking the 10 greatest Italian neorealism movies


"... On the opposite end of that spectrum is the Italian neorealism movement of the 1940s and 1950s, a cinematic ideology that protested generations of social oppression. For decades leading up to the start of the Second World War, the cinema industry in Italy was tightly regulated by the government, with Telefoni Bianchi movies, which promoted the prosperity of the country, being the sole type of film being made. Yet, these films simply didn’t reflect the reality of contemporary Italy, with the struggles of the poorest people being seemingly ignored by those in power. ..."

  


"... As Italy struggled to climb out from its ruins in hopes of newfound political stability and redefinition after the era of fascism that had preceded it, the most prominent filmmakers of the country banded together. They created the neorealism movement, a cultural collective that sought to accurately portray the harsh realities of poverty, economic devastation and the personal wreckage that had become of Italy’s inhabitants. Prior to the movement’s origins, the Italian film industry had primarily been comprised of overly sentimental, glossy, Hollywood-like studio-led productions that largely overlooked what had indeed become of Italy during the awful global conflict. By contrast, the films of Roberto Rossellini, Vittorio De Sica and Luchino Visconti started to closely examine the hardships of everyday life in Italy, sticking to an ethos of using non-professional actors and shooting on location to capture an unbridled air of authenticity and honesty. ..."





"... By shooting on location and primarily employing non-professional actors, the films of the Italian neorealist movement breathe authenticity, providing an escape from the over-produced studio works of the era and a dedication to weaving narratives just as they would occur in real life. But who exactly are the key figures in the Italian neorealism movement? To answer that very question, we’ve compiled a list of the directors who saw it as their personal goal to push the cinematic efforts of their native Italy into new frontiers by exploring the economic, political and social conditions of the country following World War II. ..."


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Charley Booker


"“Charley Booker (September 3, 1925 – September 20, 1989) was a blues singer and guitarist from the Mississippi Delta, who recorded in the early 1950s for Modern Records. Charley Booker was born in 1925 on a plantation between the Mississippi communities of Moorhead and Sunflower, the son of Lucius Booker. There is some doubt about his date of birth: while the 1925 birth date  was given by Booker in interviews, social security records give the  earlier date of September 3, 1919. He learned to play guitar from his uncle, who had played with Charley Patton, and Booker stated that as a child he had himself seen Patton perform near Indianola. He worked occasionally as a musician from the late 1930s. By the early 1940s Booker had moved to Leland, and in 1947 he moved to Greenville, where he worked with pianist Willie Love, and also met or worked with musicians such as Elmore James, Sonny Boy Williamson II, Little Milton, Ike Turner  and Houston Boines. By 1951 he had his own radio show (possibly on the  WDVM station), and in 1952 he was approached by Ike Turner to record for  Modern Records. …”





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See Inside the Last Original Artist Lofts in New York


"It wasn’t uncommon for artists to afford rent without wealthy patrons before developers and high-rises took a chokehold of Manhattan. They gleefully lived and worked where they slept, mostly in lofts, even if it was technically illegal. A new book is opening the curtains to the last creative residential sanctuaries left in the city. Photographer Joshua Charow’s Loft Law: The Last of New York City’s Original Artist Lofts, newly released on Damiani Books, captures a fading way of life. Since the 20th century, as manufacturers departed neighborhoods such as Soho and the Bowery, artists moved into these industrial spaces. They set up homes and studios in these spaces illegally, while building vibrant communities. In 1982, loft-living was widespread enough that city enacted the Loft Law, recognizing their occupants as legal tenants, with the bonus of regulated rent. ..."




Carmen Cicero, Bowery
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Beja Power! Electric Soul & Brass from Sudan's Red Sea Coast - Noori & His Dorpa Band (2022)


"... A soundtrack of Sudan's revolution and the first ever international release of the Beja sound, performed by Noori and his Dorpa Band, an unheard outfit from Port Sudan, a city on the Red Sea coast in eastern Sudan and the heart of Beja culture. Electric soul, blues, jazz, rock, surf, even hints of country, speak fluently to styles and chords that could be Tuareg, Ethiopian, Peruvian or Thai—all grounded by hypnotic Sudanese grooves, Naji's impeccable, haunting tenor sax, and of course, Noori's tambo-guitar, a self-made unique hybrid of an electric guitar and an electric tambour, a four-string instrument found across East Africa. ..."




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The Secret History of the Original Deep-Dish Crust

From March 1945, the only known image of Richard Riccardo and the deep-dish pizza he created. 

"Chicago deep-dish pizza was first created at Pizzeria Uno, and its essence lies in its distinctive crust.  It turns out there was not just one Uno’s crust, but several as it changed over time. What’s been lost — until now — is the original recipe. The most surprising part of the original dough is how different it is from what we expect deep-dish pizza to be like today. In 2013, I discovered what I believe to be the original deep-dish dough recipe created by Pizzeria Uno’s founder, Richard Riccardo. The recipe, detailed in this article for the first time since 1945, produces a thinner, lighter, vaguely cake-like golden-brown crust that’s distinctly different than the thicker, heavier biscuit-like crust now served at deep-dish pizzerias such as Pizzeria Uno, Gino’s East, and Lou Malnati’s. ..."





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The Battle for the Streets of New York


"On a recent morning, the intersection of East 77th Street and Lexington Avenue presented a vivid illustration of the tumult. A taxi trying to make a left turn had to maneuver around a Verizon crew digging up the asphalt. A box truck was parked in the bus lane, and the M102 bus, with its accordionlike belly, was forced to change lanes and snake around it. Dozens of people streamed out of the subway and into the crosswalk. A man pushing a double stroller navigated between the subway entrance and a sidewalk compost box. A woman’s shopping cart wheels got stuck in a crack in the sidewalk. CitiBikes and delivery bikes whizzed by. A cargo bike stopped in front of a FedEx truck that was unloading packages next to a bike lane. Lively, energetic streets make city living attractive — people to watch, windows to browse, benches to sit on, trees for shade. ..."

 
This scene of Park Avenue near 57th Street was typical of 1930s traffic. Over 10 million cars went through the Holland tunnel in 1930.
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Scandal Brought Reforms to Soccer. Its Leaders Are Rolling Them Back.

Gianni Infantino, the FIFA president, center, in Washington in April. He has overseen the weakening of changes he championed as a candidate for the position.

"The 12-page report was intended to save soccer’s governing body, FIFA, in its moment of existential crisis. Filled with reform proposals and drawn up by more than a dozen soccer insiders in December 2015, the report was FIFA’s best chance to show business partners, U.S. investigators and billions of fans that it could be trusted again after one of the biggest corruption scandals in sports history. In bullet points and numbered sections, the report championed high-minded ideas like accountability and humility. It also proposed concrete and, for FIFA, revolutionary changes: transparency in how major decisions were reached; term limits for top leaders and new limits on presidential power; and the abolition of well-funded committees widely viewed as a system of institutional graft. ..."


A deal negotiated in secret by the South American soccer confederation will allow it to host several matches in the 2030 World Cup.
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