Laurie Spiegel - Waveshaper TV. Part 1 of 3: Bell Labs

 
“This is the first in a 3-part video interview series with the seminal electronic & computer music pioneer. In Part 1, Laurie recounts her years working as an in-house composer, developer, and programmer at Bell Labs. Part 1 - Bell Labs (now streaming) = 9min 16sec. Part 2 - Voyager (Jan 28) = 7min 42sec. Part 3 - The Expanding Universe (Feb 04) = 7min 53sec. The full-length Laurie Spiegel interview is over 50 minutes long - it's practically a mini-documentary! - and it will be available exclusively to our Patreon members, who also get early access to all of our interview video Episodes. You can read up on Waveshaper TV on Patreon, and support our mission to document electronic music history. ...”

Habibi Funk: The Scorpions & Saif Abu Bakr - Jazz, Jazz, Jazz

“... This album happens to be my first conscious connection with Sudanese music. Habibi Funk must have already existed for a year or so but I had not yet come across any recording from Sudan that I felt fitting in the context we set for our self. I remember I did some quick research in the aftermath of the auction (which I obviously did not win) to gather some information about the band but apart from some vague bits and pieces I could not find anything. In most encyclopedic overviews of the Sudanese music scene of the 1970s the band appeared as a mere footnote. ...”

​Gowanus Canal

 

Ratzer Map, Discovery Editions

“The Gowanus Canal (originally known as the Gowanus Creek) is a 1.8-mile-long (2.9 km) canal in the New York City borough of Brooklyn, on the westernmost portion of Long Island. Once a vital cargo transportation hub, the canal has seen decreasing use since the mid-20th century, parallel with the decline of domestic waterborne shipping. It continues to be used for occasional movement of goods and daily navigation of small boats, tugs and barges. ... The canal arose in the mid-19th century from local tidal wetlands and freshwater streams. By the end of the 19th century, heavy industrial use had caused large amounts of pollutants to drain into the Gowanus Canal. Various attempts to remove the pollution or dilute the canal's water have failed. Even though most industrial tenants stopped using the Gowanus Canal in the middle of the 20th century, the pollution was never remedied. ...”

 
Gennaro Brooks-Church has converted his house into an ecological laboratory.

​Sans-culottes

 
“The sans-culottes (... literally ‘without breeches‘) were the common people of the lower classes in late 18th-century France, a great many of whom became radical and militant partisans of the French Revolution in response to their poor quality of life under the Ancien Régime. The word sans-culotte, which is opposed to that of the aristocrat, seems to have been used for the first time on 28 February 1791 by officer Gauthier in a derogatory sense, speaking about a ‘sans-culottes army’. The word came into vogue during the demonstration of 20 June 1792. The name sans-culottes refers to their clothing, and through that to their lower-class status: culottes were the fashionable silk knee-breeches of the 18th-century nobility and bourgeoisie, and the working class sans-culottes wore pantaloons, or trousers, instead. ...”
 
The uprising of the Parisian sans-culottes from 31 May to 2 June 1793. The scene takes place in front of the Deputies Chamber in the Tuileries. The depiction shows Marie-Jean Hérault de Séchelles and Pierre Victurnien Vergniaud.

Possessed - Laurel Halo (2020)

 
“Laurel Halo presents an album’s worth of score provided for the 2018 experimental documentary Possessed by Dutch design collective Metahaven, produced in collaboration with Rob Schröder and Dutch Mountain Films. Her first foray into writing music for the screen, the album provides a rich variety of sounds, from aqueous, subterranean drones, to plaintive folk pieces for violin and cello, to uncanny pseudoclassical piano mutations. It’s fitting for Laurel Halo to move into the score world. ...”

​Antares

Antares between τ (lower left) and σ Scorpii. Antares appears white in this WISE false colour infrared image.

Antares designated α Scorpii (Latinised to Alpha Scorpii, abbreviated Alpha Sco, α Sco), is on average the fifteenth-brightest star in the night sky, and the brightest object in the constellation of Scorpius. Distinctly reddish when viewed with the naked eye, Antares is a slow irregular variable star that ranges in brightness from apparent magnitude +0.6 to +1.6. Often referred to as ‘the heart of the scorpion’, Antares is flanked by σ Scorpii and τ Scorpii near the center of the constellation. Classified as spectral type M1.5Iab-Ib, Antares is a red supergiant, a large evolved massive star and one of the largest stars visible to the naked eye.  Its exact size remains uncertain, but if placed at the center of the Solar System, it would reach to somewhere between the orbits of Mars and Jupiter. Its mass is calculated to be around 12 times that of the Sun. ...”

​Epic Iran

 
A room in the exhibition “Epic Iran” at the Victoria and Albert Museum that is devoted to Persepolis, the ancient city that was once the capital of the Persian Empire.

“The board game is roughly 4,500 years old. Shaped like a bird of prey, it has holes running down its wings and chest, where the pieces were once positioned. It’s one of a few dozen ancient objects that were set to travel from the National Museum of Iran for a spectacular exhibition at the Victoria & Albert Museum here. But they never came.Other artifacts that were set to be shown — as detailed and illustrated and in the catalog for that exhibition ‘Epic Iran’ — included a gold mask, a long-handled silver pan and a carved stone goblet. ...”

 
A folio from the Shahnameh of Shah Tahmasp, Tabriz, about 1523 – 35. The Sarikhani Collection

'I make these collages and write': Alice Notley's visual art

 
Alice Notley reading from ‘When I Was Alive’ at her MoMA PS1 show. 

“Alice Notley’s one and only exhibition of her visual art in the United States was in 1980 at MoMA PS1. The press release, written by Notley, notes that her collages are made ‘of paper (potential trash) from the poet/artist’s life, pieces of illustrations from favorite cheap books, sidewalk discoveries, and things she could see on the floor, from her chair, and was too lazy to throw away.’ Notley’s nonchalance toward her materials should not be mistaken for a lack of aesthetic intensity. Like her visionary poetry, which she has written and published continuously for over fifty years, Notley’s visual art is defined by intricate layers of presence and association as well as common themes: light, femininity, and irreducibility. ...”

“Parthenon Fan,” 1992

Wild Combination: A Portrait of Arthur Russell

 “Wild Combination begins with interviews of Russell's parents discussing their youngest offspring's childhood. The film describes how Russell as a young boy is obsessed with Timothy Leary and insecure about his acne. Leaving Iowa for San Francisco in the late sixties, he joins a Buddhist collective and befriends Allen Ginsberg. Russell decides to move to New York in the early seventies, where he starts working as the musical director of the Kitchen and becomes part of the downtown scene of artists, sharing an apartment building with Allen Ginsberg and Richard Hell. Russell engages in nearly every music scene the city has to offer: disco at David Mancuso's Loft, rock at CBGB, minimal composition at the Kitchen, and Allen Ginsberg's poetry recitations. In 1978, Russell begins dating Tom Lee, whom he stays with until his AIDS-related death in 1992. ...”

​60 minutes of music that sum up art-punk pioneers Wire

 
“... It’d be a stretch to say that Wire was the first art-punk band, given that much of the New York proto-punk scene (such as Patti Smith and Television) had ties to the art world, and a lot of the arty musicians that inspired Wire (such as Roxy Music and Neu) were skating on the edge of punk years before the Ramones or the Sex Pistols. But at a time in rock ’n’ roll when ‘art’ meant something either aggressively avant-garde or pretentiously progressive, Wire offered an attractive combination of the experimental and the accessible. Even at its inception, when the band was redefining what a song could be by writing and recording minute-long vignettes, the music usually had actual melodies and riffs—or, at the least, interesting sounds that could pass for a hook. ...”

Hard Bop: Jazz and Black Music 1955-1965 - David H. Rosenthal

From The Black Perspective in Music, Vol. 16, No. 1, Spring 1988: “Hard Bop, as a dominant school of jazz, flourished between 1955 and 1965—a decade unrivalled by any other in jazz history for the number of musically brilliant records that were issued. ... In addition to these magnificent recordings—and many others could be cited—the period also witnessed an outpouring of superb music that, while not quite up to the level of the records just mentioned, was notable for its passion and beauty. The foundation for this music was ‘bebop,’ a style that flourished in the late 1940s, whose high priests included trumpeter Dizzy Gillespie, alto-saxophonist Charlie Parker, pianist Bud Powell and composer Tadd Dameron. ...”


Walter Benjamin - Illuminations: Essays and Reflections (1969)

 
“German Jewish intellectual Walter Benjamin (1892 – 1940) was a writer, a philosopher, a critic, a spiritual sceptic, and, most of all, a collector. Benjamin collected ideas, concepts, books, and small items of personal cosmic worth. Illuminations is a collection of Benjamin’s essays—critical and otherwise—chosen and edited by philosopher Hannah Arendt. Arendt, a scholar on institutionalized evil, tell us that collecting was ‘Benjamin’s central passion’ and that he had a destructive affinity for the past. ...”

Glen Brown And King Tubby - Termination Dub (1973-79)

 
“Originally a singer, Glen Brown first ventured into production in the early '70s, releasing his distinct creations through homegrown labels. However, financial constraints ultimately led to a lack of success, with Brown unable to press as many copies as he would undoubtedly have been able to sell. Regardless, he continued to produce, turning out a series of excellent records during the second half of the decade. The rhythms Brown oversaw during those years, as performed by drummers Carlton Barrett and Carlton ‘Santa’ Davis, bassists Aston Barrett and Lloyd Parks, organists Winston Wright and Earl Lindo, and many others of similar stature, stand up to virtually anything from the roots era. ...”

​Debatable: Has the Pentagon covered up space aliens?

 
Former Senator Harry Reid of Nevada, who worked to fund a Pentagon program for U.F.O. research in 2007.

“At some point next month, U.S. intelligence agencies are expected to brief Congress about recorded encounters between military personnel and mysterious flying objects appearing to defy the limits of known human technology. Yes, U.F.O.s. And yes, explained to the same branch of government that once had to ask Mark Zuckerberg how Facebook works. ... How did we get here, and how should we take the suggestion — made by a former C.I.A. director, among others — that these U.F.O.s are of alien origin? Here’s what people are saying. ...”

​Dawn Delight: Catch the Total Lunar Eclipse on May 26th

 
“If it feels like a while since the Moon took a deep dive into Earth's shadow, you're right. The last total lunar eclipse occurred on January 21, 2019, followed by four penumbral eclipses in 2020. Wait no more! On May 26th, observers in the western half of North America, western South America, East Asia, and Australia will once again see the Moon fully eclipsed. This eclipse will be short and sweet much like the total solar variety, with the Moon spending just 15.9 minutes inside the umbra, Earth's central shadow. The brief visit is due to two factors. First, the Moon passes well north of the umbra's center with its northern limb nearly tangent to the umbra's edge. Minutes after it enters the shadow, it pushes out the other side. ...”

Official Secrets - Gavin Hood (2019)

 
“... The whistle-blower in ‘Official Secrets’ has only one memo to print out, a modest if mighty task that here looks like, well, a woman anxiously using an office printer in bad lighting. One of those ripped-from-the-headlines jobs, ‘Official Secrets’ revisits how a British intelligence officer, Katharine Gun (Keira Knightley), tried to stop a war. In 2003, a few months before the invasion of Iraq, Gun received an email that had been sent to her division in Britain’s Government Communications Headquarters (a.k.a. GCHQ). It was from Frank Koza, identified as the chief of staff for the regional targets division at the National Security Agency of the United States. ...”

May 25 Should Be a Day of Mourning for George Floyd

 
“Carrying Casket”, by Jammie Holmes, Library Street Collective.

“When the protests started in the streets of Denver last spring, days after George Floyd was killed in Minneapolis, I watched dozens of people marching with anguish and affliction on their faces. Several of them were crying, or clearly had been. When I watched the video of the final moments of Mr. Floyd’s life, I myself felt the telltale symptoms of grief: a clenched stomach; a surge of adrenaline; and an overwhelming sense of powerlessness. As they unfolded over the next days and weeks, the protests seemed like a moment when Black grief — a feeling familiar for Black Americans after the killings of Ahmaud Arbery, Trayvon Martin, Emmett Till and so many others — might finally become collective grief for the rest of America. ...”

 
“George Floyd’s murder felt like everything was the same and nothing was the same, said Miski Noor, an activist in Minneapolis, where Floyd was killed by a white police officer a year ago on 25 May. ‘How many times have we seen Black death go viral?’ asked Noor, the co-founder of Black Visions, which advocates for abolition, an approach to public safety that does not involve the police. Noor, who helped found the group in 2017, knows that to abolish policing you also must confront systemic racism and the weight of history. And Noor also knows as the child of Somali immigrants, that the issues are global. ...”

​Two portraits of one lowdown saloon in 1919 Greenwich Village

“The Village has always had dive bars that attract locals and luminaries. But The Golden Swan, on the corner of Sixth Avenue and West Fourth Street, might have been the first—and the most notorious in its day. Inside this Irish tavern dating back to at least the 1870s, writers, artists, activists, and assorted Village characters of the 1910s gathered to drink. (National prohibition was looming, after all.) While the front of the tavern may have catered to locals and Hudson Dusters gangsters, bohemians made the back room—aka, the Hell Hole—their own. Charles Demuth was a fan of the Swan. ...”

​Chess in the arts

 
Honoré Daumier (1863), The Chess Players

Chess became a source of inspiration in the arts in literature soon after the spread of the game to the Arab World and Europe in the Middle Ages. The earliest works of art centered on the game are miniatures in medieval manuscripts, as well as poems, which were often created with the purpose of describing the rules. After chess gained popularity in the 15th and 16th centuries, many works of art related to the game were created. One of the best-known, Marco Girolamo Vida's poem Scacchia ludus, written in 1527, made such an impression on the readers that it singlehandedly inspired other authors to create poems about chess. In the 20th century, artists created many works related to the game, sometimes taking their inspiration from the life of famous players (Vladimir Nabokov in The Defense) or  well-known games (Poul Anderson in Immortal Game, John Brunner in The Squares of the City). ...”

The Chess Players — John Lavery (1929)

Andrea Belfi & Machinefabriek ‎– Pulses & Places (2009)

 
“This ninth release in the Brombron series (hosted by Korm Plastics) comes from the absurdly prolific Machinefabriek and Italian electro-acoustic musician Andrea Belfi.  For this project, Rutger Zuydervelt plays guitar and organ, while Belfi concentrates on drums and assorted percussive instruments. While the mood of the music is consistent with Machinefabriek's propensity towards atmospheric, detailed ambience, there's a markedly more organic aspect to this music that sets it apart from most of the Dutch composer's collaborations. The presence of Belfi's live, acoustic drums puts a very different slant on this music, bringing a kind of swaying, somnolent rhythm to the first piece, while Zuydervelt's layered drones map out a woozy trail. ...”

The Battle of Algiers

 
“The Battle of Algiers was a campaign of urban guerrilla warfare carried out by the National Liberation Front (FLN) against the French Algerian authorities from late 1956 to late 1957. The conflict began as a series of attacks by the FLN against the French forces followed by a terrorist attack on Algerian civilians in Algiers by a group of Pieds-Noirs (European settlers), aided by the police. Reprisals followed and the violence escalated leading the French Governor-General to deploy the French Army in Algiers to suppress the FLN. Civilian authorities left all prerogatives to General Jacques Massu who, operating outside legal frameworks between January and September 1957, successfully eliminated the FLN from Algiers. The use of torture, forced disappearances and illegal executions by the French later caused controversy in France. ...”
 
 
The Battle of Algiers - Gillo Pontecorvo

The Battle of Algiers is a 1966 Italian-Algerian historical war film co-written and directed by Gillo Pontecorvo and starring Jean Martin and Saadi Yacef. It is based on events undertaken by rebels during the Algerian War (1954–1962) against the French government in North Africa, the most prominent being the titular Battle of Algiers, the capital of Algeria. It was shot on location in a Roberto Rossellini-inspired newsreel style: in black and white with documentary-type editing to add to its sense of historical authenticity, with mostly non-professional actors who had lived through the real battle. The film's score was composed by Ennio Morricone. It is often associated with Italian neorealist cinema. The film concentrates mainly on revolutionary fighter Ali La Pointe during the years between 1954 and 1957, when guerrilla fighters of the FLN regrouped and expanded into the Casbah, the citadel of Algiers. Their actions were met by French paratroopers attempting to regain territory. The highly dramatic film is about the organization of a guerrilla movement and the illegal methods, such as torture, used by the colonial power to contain it. Algeria succeeded in gaining independence from the French, which Pontecorvo addresses in the film's epilogue. The film has been critically acclaimed. Both insurgent groups and state authorities have considered it to be an important commentary on urban guerrilla warfare. ...”

Albert Camus
 
Frantz Fanon

Deux Filles ‎– Silence & Wisdom / Double Happiness (2013)

 
“The short, mysterious career of the female French duo Deux Filles is bookended by tragedy. Gemini Forque and Claudine Coule met as teenagers at a holiday pilgrimage to Lourdes, during which Coule's mother died of an incurable lung disease and Forque's mother was killed and her father paralyzed in an auto accident. The two teens bonded over their shared grief and worked through their bereavement with music. However, after recording two critically acclaimed albums and playing throughout Europe and North America, Forque and Coule disappeared without a trace in North Africa in 1984 during a trip to visit Algiers. The short and terribly unhappy lives of Forque and Coule are at the root of the small but fervent cult following the mysterious duo have gained since their disappearance, not least because the placid, largely instrumental music on the duo's albums betrays no hint of the sorrow that framed their personal lives. ...”

​The Super League Thought It Had a Silent Partner: FIFA

 
“Tucked away in the pages and pages of financial and legal jargon that constitute the founding contract of the Super League, the failed project that last month briefly threatened the century-old structures and economics of European soccer, were references to one ‘essential’ requirement. The condition was deemed so important that organizers agreed that the breakaway plan could not succeed without satisfying it and yet was so secret that it was given a code name even in contracts shared among the founders. Those documents, copies of which were reviewed by The New York Times, refer to the need for the Super League founders to strike an agreement with an entity obliquely labeled W01 but easily identifiable as FIFA, soccer’s global governing body. ...”