The Magnetic Fields - André Breton and Philippe Soupault (1920) Image

Les Champs magnétiques (The Magnetic Fields) is a 1920 book by André Breton and Philippe Soupault. It is famous as the first work of literary Surrealism. The authors used a surrealist automatic writing technique. The book is considered Surrealist, rather than Dadaist, because it attempts to create something new rather than react to an existing work. Les Champs magnetiques is characterised by rich textured language that often seems to border on the nonsensical. This is considered a "normal" result of automatic writing and is considerably more logical than the output from other Surrealist techniques, such as ‘exquisite corpse‘ (a method whereby each of a group of collaborators, in sequence, adds words or images to a composition). ...”

The First Christmas Meal

                                           David Teniers the Younger, The Twelve Days of Christmas No. 8, 1634-40

“These days, British and American Christmases are by and large the same hodgepodge of tradition, with relatively minor variations. This Christmas Eve, for example, when millions of American kids put out cookies and milk for Santa, children in Britain will lay out the more adult combination of mince pies and brandy for the old man many of them know as Father Christmas. For the last hundred years or so, Father Christmas has been indistinguishable from the American character of Santa Claus; two interchangeable names for the same white-bearded pensioner garbed in Coca-Cola red, delivering presents in the dead of night. But the two characters have very different roots. Saint Nicholas, the patron saint of children, was given his role of nocturnal gift-giver in medieval Netherlands. Father Christmas, however, was no holy man, but a personification of Dionysian fun: dancing, eating, late-night drinking—and the subversion of societal norms. ...”

The Paris Review

                                                       Jacob Jordaens, The Feast of the Bean King, 1640-1645

Inhuman communication: Søren Kierkegaard versus the internet

 
“The story is, by now, a familiar one: some person ― whether a celebrity or a relative unknown ― says something racist, misogynistic, or just plain stupid online. We see it, we're angry, we tell them so. Within hours, they've received thousands of replies, ranging from the politely critical to the clearly abusive. The perpetrator then either lashes out defiantly, issues an apology (whether sincere or not) or simply withdraws from the social media space altogether. This is what's called a ‘pile-on.’ Now, you might be one of those people who thinks the ‘victim’ of a pile-on had it coming. Speaking and writing are, after all, actions, and actions have consequences; free speech doesn't mean freedom from being called out. ...”

Socialism Informs the Best of Our Politics - Michael Harrington

American democratic socialist, writer, political activist, and political theorist Michael Harrington (1928 - 1989) speaking in Boston in 1977. 

“... Is social­ism rel­e­vant to the late 20th and 21st cen­turies? And if so what does one mean by ​‘social­ism’? In any case, why iden­ti­fy as a social­ist in the Unit­ed States where the very word invites mis­un­der­stand­ing, at best, and a fran­tic, igno­rant rejec­tion at worst? Final­ly, giv­en all of these prob­lems why build a social­ist orga­ni­za­tion in this country? First, the social­ist cri­tique of pow­er under both cap­i­tal­ism and Com­mu­nism is not only sub­stan­tial in and of itself; it also makes a sig­nif­i­cant con­tri­bu­tion to the cause of incre­men­tal reform as well as to a rad­i­cal restruc­tur­ing of society. ...”

Warm Up 2020 | MoMA

 
“Warm Up wherever you are and celebrate NYC’s music communities online and outdoors. MoMA PS1 presents an all-day streaming edition of Warm Up to support New York City’s music communities in light of the COVID-19 pandemic with eight hours of continuous music streamed live from MoMA PS1’s iconic courtyard. Tune in for 12 DJ sets and live performances by artists who represent NYC’s expansive music community, framed by stage design created by New York-based artist Cécile McLorin Salvant. ... Broadcast globally in partnership with music streaming platform Boiler Room, this one-day-only program will also stream at outdoor music venues across the city, allowing audiences to patronize the open, outdoor cultural spaces in their neighborhoods. ...”

MoMA (Video) 8:11:57

John le Carré, Best-Selling Author of Cold War Thrillers, Dies at 89

 
“John le Carré, whose exquisitely nuanced, intricately plotted Cold War thrillers elevated the spy novel to high art by presenting both Western and Soviet spies as morally compromised cogs in a rotten system full of treachery, betrayal and personal tragedy, died on Saturday in Cornwall, England. He was 89. The cause was pneumonia, his publisher, Penguin Random House, said on Sunday.Before Mr. le Carré published his best-selling 1963 novel ‘The Spy Who Came in From the Cold,’ which Graham Greene called ‘the best spy story I have ever read,’ the fictional model for the modern British spy was Ian Fleming’s James Bond — suave, urbane, devoted to queen and country. With his impeccable talent for getting out of trouble while getting women into bed, Bond fed the myth of spying as a glamorous, exciting romp. Mr. Le Carré upended that notion with books that portrayed British intelligence operations as cesspools of ambiguity in which right and wrong are too close to call and in which it is rarely obvious whether the ends, even if the ends are clear, justify the means. ...”

A food vendor’s Christmas on 14th Street in 1904

 
“Ashcan school painter Everett Shinn gravitated toward New York’s underdogs: the lonely, the lost, the dreamers, and those who appear to be battered by life’s elements. This food vendor pushing his flimsy wood cart during the holiday season appears to fall into the latter category. Painted in 1904, ‘Fourteenth Street at Christmas Time’ gives us a blustery, snowy street crowded with Christmas tree buyers and other shoppers beside the lights from store window displays. Our vendor, however, stands away from everyone, his body crouched to avoid the frightful weather. His cart glows with the warmth of hot food cooking…but he has no buyers.”

The Irishman - Martin Scorsese (2019)

 
The Irishman (titled onscreen as I Heard You Paint Houses) is a 2019 American epic crime drama film directed and produced by Martin Scorsese and written by Steven Zaillian, based on the 2004 nonfiction book I Heard You Paint Houses by Charles Brandt. It stars Robert De Niro, Al Pacino, and Joe Pesci, with Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, and Harvey Keitel in supporting roles. The film follows Frank Sheeran (De Niro), a truck driver who becomes a hitman involved with mobster Russell Bufalino (Pesci) and his crime family, including his time working for the powerful Teamster Jimmy Hoffa (Pacino). ... De Niro, who also served as producer, and Pacino were confirmed that month, as was Pesci, who came out of his unofficial retirement to star after numerous requests. Principal photography began in September 2017 in New York City and in the Mineola and Williston Park sections of Long Island, and wrapped in March 2018. ...”

Jeremiah's Vanishing New York: Robert Herman

 
“The man who jumped to his death from the 16th floor of his Tribeca apartment building on Friday night has been identified as photographer Robert Herman. He left a note that read, ‘How do you enjoy life?’  Since the 1970s, Robert was one of New York's consummate street photographers, capturing the day-to-day life of the sidewalks with his camera and, most recently, with his iPhone. I met him once or twice, we had a similar love for the city, and he was always lovely and kind. He will be missed, along with all the photographs he will never get to take. What follows is an interview I did with him here in 2013, on the publication of his beautiful book The New Yorkers, a vivid collection of his work from 1978 - 2005. ...”

The Champions League’s New Twist: Injury Roulette Image

 
For Kylian Mbappé and other stars, injury looms as a formidable Champions League foe.

“The procession was nearly over. Ninety-five of the 96 games that constitute the group phase of the Champions League, six weeks of phony war that largely serve to check boxes, cross Ts and dot Is, were complete. Most of the heavyweights had long since advanced to the knockout rounds. As is so often the case, there had been precious little drama. The whole exercise only served to fuel to the flames of those who would revamp the competition or abandon it altogether. Bayern Munich and Manchester City dropped only two points. Juventus, Barcelona, Chelsea and Sevilla qualified with two games to spare, Liverpool and Borussia Dortmund with one. And yet, with five minutes of injury time still to play in the one game outstanding, it felt a little like everything was on the line. ...”

1960s Dial-a-Poem

                                          John Giorno at Dial-a-Poem in 1969

"On any given night in 1970, a teen somewhere in rural America could dial a number and hear the radical wisdom of Patti Smith, John Cage, Allen Ginsberg, William S. Bourroughs – the list of poets was long, and painfully hip. One needed only the ten sacred digits of 'Dial-a-Poem,' a revolutionary hotline that connected millions of people to a room of telephones, linked up to an evolving selection of live-recorded poems, speeches, and inspired orations. And frankly, we’d kill to dial up that hotline right now. It all began in the 3rd floor Manhattan loft of the hotline’s founder, artist, and activist, John Giorno, who also happened to be Andy Warhol’s lover at the time. John was on the phone one morning with someone and feeling cranky. ...”

Tri-Cornered Baseball Game

 
“The Tri-Cornered Baseball Game was a three-way exhibition baseball game held at the Polo Grounds on June 26, 1944, among the Brooklyn Dodgers, New York Giants and New York Yankees. The game, a Second World War fundraiser, was played with a round-robin format in which each team batted and fielded during six innings and rested for the other three. The Dodgers won by scoring five runs in their times at bat; the Yankees scored one run, while the Giants were unable to score. The game came 20 days after the Normandy landings in 1944. It was devised by the War Loans Sports Committee as a method of selling war bonds to aid in the U.S. war efforts. ... New York Daily News sportswriter Dick Young described the event as ‘the wackiest diamond battle ever conceived.’ ...”

Various Apocalyptic Scenes from the Prophetic Messenger (ca. 1827–61)

“These colored lithographs, labelled as apocalyptic scenes by the Wellcome Collection, were printed in conjunction with the astrological magazine the Prophetic Messenger, aka Raphael’s Almanac, which ran from 1827 to 1861. Raphael, a pen name, was intended to invoke the power of the archangel Raphael — traditionally linked to Mercury, the messenger of the gods. It was used by several British astrologers in the first half of the nineteenth century, who together contributed to the revival of astrology. While the lithographs are difficult to interpret on their own, they do give us a sense of how Raphael’s astrological predictions differed from the ones generally found in newspapers today. ...”

The Incredible Lightness of Being

Brest téléphérique from station atop a historic stone building

“After the Emirates Air Line fiasco, most people in the UK had written off cable cars as a valid public transport mode. But reading about the official gondola proposal for Vancouver’s Burnaby Mountain university campus as an ideal solution, this mode warrants another look. Niche transport modes are ideal solutions, but only for specific geographic transport problems – funiculars, catamarans, hydrofoils, and cable cars. The key is not to fall for the salesperson’s or politician’s pitch, but to apply them appropriately. Cable cars are increasingly being constructed to connect topographically constrained urban areas in an inexpensive and quick manner. ...” 

London Reconnections

                                       Two stations, Vieux Port and Notre Dame, with a supporting pylon

Nights of Ballads & Blues - McCoy Tyner (1963)

“Pianist McCoy Tyner is best known for being a member of the John Coltrane Quartet beginning in 1960. During those years, Tyner re-invented the piano as a highly percussive, stirring instrument that churned the waters for Coltrane's abstraction and spiritual solos. For some strange reason, in late 1962 and the first half of 1963, Tyner was commissioned by producer Bob Thiele to record more straightforward jazz albums as a leader. These albums included Reaching Fourth, Today and Tomorrow and McCoy Tyner Plays Duke Ellington. But the finest of these after-midnight piano recordings was Nights of Ballads and Blues. ...”

Brian Eno - Film Music 1976-2020

 “... Eno is now putting out a compilation called ‘Brian Eno (Film Music, 1976-2020),’ though he admits he just as well could have called it ‘Music That Has Found Films.’ These 17 tracks comprise only a fraction of his music that has appeared as scores or on soundtracks: ‘There are quite important pieces, in terms of my film music career, that are missing from this album,’ he said. ‘But they just wouldn’t fit in this particular version.’ ... Across two video interviews this fall Eno promised new (but different) work to come, and spoke thoughtfully about technology, composition and the odd drift of music through a listener’s everyday life. These are edited excerpts from the conversations. ...”

When Sun Ra Went to Egypt in 1971: See Film & Hear Recordings from the Legendary Afrofuturist’s First Visit to Cairo

“Sun Ra died in 1993 (or he returned to his home planet of Saturn, one or the other). Twenty-seven years later his Arkestra is still going strong. ‘No group in jazz history has embodied the communal spirit like the Arkestra,’ writes Peter Margasak at The Quietus. ‘Their hardcore fans are the closest thing jazz has to Deadheads.’ We could further compare Sun Ra and Jerry Garcia as bandleaders—their embrace of extended free form playing against a background of traditionalism. Folk, and country in Garcia’s case and big band swing in the work of the man born Herman Poole Blount in Birmingham, Alabama in 1914. ...”

John Lennon and the Politics of the New Left

“When John Lennon was murdered forty years ago, on December 8, 1980, we believed Richard Nixon had been the worst president ever — because of the war in Vietnam, because of the repression that he called ‘law and order’ and the racism of the Southern Strategy, and also because of his treatment of Lennon. Nixon had tried to deport Lennon in 1972 when the former Beatle made plans to lead an election-year effort to challenge the Republican president’s reelection with a campaign to register young people to vote.In the end, of course, Lennon stayed in the United States and Nixon left the White House in disgrace. But the seemingly endless battle in the immigration courts ruined his life for the next few years. ... He and Yoko had a son, and he declared himself a househusband. ... Then he was shot and killed by a deranged fan. ...”

Watch “Jackson Pollock 51,” a Historic Short Film That Captures Pollock Creating Abstract Expressionist Art on a Sheet of Glass Image

“Jackson Pollock was described as an ‘action painter,’ a label that surely wouldn’t have stuck if the public never had the chance to see him in action. In that sense, only the era of photography could have produced an artist like him: not just because that technology pushed painting toward abstraction, but because it could disseminate images of the artist himself far and wide. One photographer did more for this cause than any other: the German-born Hans Namuth, who despite a lack of initial interest in Pollock’s work nevertheless took up the challenge of capturing his creative process — and thereby doing much to craft the artist’s image of raw, intuitive and individualistic physicality. Namuth accomplished this even more memorably with a motion picture: the short ‘Jackson Pollock 51,’ which you can watch above. ...”

August Wilson, American Bard

 
“In the woods of Barnesville, Ga., two Black men are running, barely visible in the dusk. There are crickets chirping, dogs barking in the distance and, more immediately, the urgent pants of their breath. This seems to be a familiar horror, but the men aren’t being chased; they’re heading toward a tent. Inside, Ma Rainey — played by Viola Davis, her lips painted burgundy, eyelids smoked with black, cheeks stained merlot — beckons the audience in a royal blue dress. ‘Daddy, daddy, please come home to me,’ she sings, shimmying in the heat. ‘Anytime you see two Black people running in the South, you think the Klan’s somewhere, but, no, they’re not running from something. They’re running to something — to this woman whose voice is telling their story,’ says George C. Wolfe, the director of ‘Ma Rainey’s Black Bottom,’ the Netflix film version of August Wilson’s beloved play, which debuts this month. The scene feels appropriate for the opening of a Wilson adaptation: One of the most acclaimed Black playwrights in America, he spent more than three decades telling the story of Black America with pride and verve, with language that beckoned like Ma’s voice in that tent. ...”

NY Times (Video)

                                                Ma Rainey’s Black Bottom (1982)


Gramsci in the postcolony

“... Because I was simultaneously thinking about Marxism in the context of North Africa, I had already been exploring Antonio’s Gramsci’s work. I found Gramsci an interesting Marxist to think with because of the way he connected the material to the ideational, as well as his own identity as a Southern Italian and how this influenced the way he thought about dependency, power, and inequality. I found his concept of hegemony especially interesting, not least because it seemed to me one way of answering the question: how might we understand the power of the Nasserist project? Hegemony, as a concept, is many things to many people. ...”

2013 July: Gramsci Monument, 2018 January: The Fate of the Party

Bird bath

A male House Sparrow in a birdbath in Makawao, Maui

“A bird bath (or birdbath) is an artificial puddle or small shallow pond, created with a water-filled basin, in which birds may drink, bathe, and cool themselves. A bird bath can be a garden ornament, small reflecting pool, outdoor sculpture, and part of creating a vital wildlife garden. A bird bath is an attraction for many different species of birds to visit gardens, especially during the summer and drought periods. Bird baths that provide a reliable source of water year round add to the popularity and ‘micro-habitat’ support. Bird baths can be pre-made basins on pedestals and columns or hang from leaves and trees, or be carved out depressions in rocks and boulders. ...”

Greatest Hits Music issue: Playlists

“How does the South inform my music? It’s just me. You see, the South just has a thang. It gets INTO you. It’s its own thing, its own culture. It has its own sound. Everything in motion, wrangling to survive like a tumble of vines. The air, pungent, so thick with humidity it has a taste, it fills your senses. It’s hard not to be informed by it when you are breathing it, swimming in it. Even the way the light shines here is different. The shadows here are different. ...”