Lou Reed Concert Film Berlin Streaming Free Online for the Next Week

“Last laughs can be sweet, and according to music journalist, Anthony DeCurtis, his friend, the late Lou Reed, ‘reveled’ in the critical drubbing that greeted his 3rd solo album, 1973’s Berlin. Not immediately, however.Berlin, which followed hard on the heels of Reed’s widely adored Transformer, had a painful, protracted delivery. This was due in part due to RCA execs getting cold feet about releasing Reed’s grim concept record as a double album. This necessitated a lot of pruning, a week before deadline.Producer Bob Ezrin, who had planted the idea for a concept album based on a track from Reed’s eponymous first solo effort, was detoxing in the hospital, and thus not present for the final mastering. But much of the hell leading to Berlin’s release was a hell of Reed’s own making. ...”

Notes from the Bathysphere

William Beebe and Gloria Hollister inspect the bathysphere.

“I’m writing from the outskirts of the small town of Tarapoto, in northeastern Peru. My ostensibly short trip here last March intersected with the declaration of a state of emergency: complete shutdown of domestic travel, strict curfew, international borders sealed. There were expensive ‘humanitarian flights’ requiring government permission to travel to Lima; otherwise, it was impossible to move. This was meant to keep the virus out. By midsummer the situation improved elsewhere while Peru was suddenly in the global epicenter, and lockdown was meant to keep the virus in. Now the situation is reversing again, travel restrictions are loosening, and after eight months, I’m faced with the option of heading home. Before the pandemic, I was living in Harlem, teaching at City College, and working on a book about the writings that remain from the bathysphere dives—strange, poetic texts that constitute the first eyewitness account of the deep ocean. ...”

The 10 Most Philosophical Movie Masterpieces of All Time

 
“’Philosophical’ is a word used so commonly that its definition merits frequent reinforcement. The word philosophy itself is formed from two Greek words: philo, meaning ‘love’ and sophia meaning ‘wisdom’. As the love of wisdom, philosophy encompasses far more than a collection of personal opinions and intricate mental gymnastics. Asking more questions than it answers, true philosophy is never pedantic and may not always seem profound.In the same way, a film can be philosophical to the extent that it aspires toward a love of wisdom and inspires in us the same love. ...”

Robert Ashley as Minimalist By Kyle Gann

“I hope it does not seem merely opportunistic to appear with a paper on Robert Ashley as minimalist just after I have published a book on Ashley. One of the things I find historically fascinating about minimalism is the magnetic field it cast on all sides, attracting some composers and repelling others, to the point that some composers whom we do not consider part of the movement led careers that we cannot adequately describe without alluding to it as explanation. Morton Feldman is certainly one of these, perhaps James Tenney, and also Robert Ashley. ...”2008 March: Robert Ashley, 2012 April: Sonic Arts Union, 2012 July: Various - Lovely Little Records, 2013 October: The Old Man Lives in Concrete, 2014 March: Robert Ashley, 1930-2014, 2016 March: Perfect Lives (1977-83), 2016 June: Music Word Fire and I Would Do It Again: The Lessons (1981) , 2019 January: Sound Portraits Radio #15 Robert Ashley w/ Doron Sadjas

A Guide to the Brain-Bending Discography of Post-Punk Giants This Heat

“Over the course of two studio albums, several EPs, and live sessions, the UK group This Heat sought to decondition listeners to traditional song structures. Though the trio had superficial similarities to the post-punk bands that were emerging alongside them in late 1970’s London—spindly guitars, hypnotic vocals, and the studio-as-instrument techniques of dub—they never settled into a single approach to avant-rock deconstruction. Instead, they chose to continually experiment. Interrupting churning grooves with quiet or chaotic passages, their discography is speckled with sound collages, tape loops, and proto-techno trickery. ...”

2012 December: This Heat

How to Pretend You're in Paris Tonight

Empty embankment on the Seine during a Covid-19 lockdown in Paris on April.

“Paris is a collective fantasy, from the booksellers along the Seine to the gray zinc rooftops of its cream stone buildings. For ages, the city has been the place to turn for lessons in l’art de vivre, the art of living, influencing fashion, philosophy, culture, art and gastronomy around the world. Today, pop-up shops and hipster brunch spots are as much a part of Paris as street lamps and Gothic architecture. But the romance of the city is timeless. ... Take your time contemplating masterpieces and monuments through virtual tours. Get up close to paintings by Renoir and van Gogh at the Musée d’Orsay. Zoom in on the brush strokes of Monet’s Water Lilies in the Musée de l’Orangerie. ... And relish vertiginous views from the Eiffel Tower. ...”

This brownstone is an anachronism in Tudor City

“Tudor City belongs firmly in the 20th century. This quiet ‘city within the city’ built on a bluff west of First Avenue between 41st and 43rd Streets consists of 13 residential buildings, almost all reflecting the Tudor Revival style popular in the 1920s. In 1925, Tudor City’s developer, Fred French, bought up five acres of land and former middle class brownstones in the neighborhood—brownstones which by that time had been turned into tenements or carved into apartments, according to a 1926 New York Times story. He bulldozed them to revitalize an area that in the early 1900s had become a slum, putting up modern new ‘efficiency’ units that appealed to young professionals working in Midtown. ...”

Sometimes Our Favorite Sports Need to Love Us Back

Donations to a food bank outside a Newcastle match. Soccer’s billion-dollar business is often disconnected from its far more local connection with its fans.

“Clutching his phone in one hand and his passport in the other, Ruben Gabrielsen sprinted through his apartment. Duty had called, and he would answer. He had even tied a makeshift cape around his neck for the occasion. He would be the one to save his country in its hour of need.A 28-year-old defender playing in France’s second division, Gabrielsen probably would not have chosen these to be the circumstances in which he made his first international appearance. Not long ago, he probably would not have been able to imagine them. ...”

Bill Evans - Another Time: The Hilversum Concert (1968)

 
"With so many previously unissued trio recordings by Bill Evans crowding shelves and 'the cloud,' it’s fair to ask whether another archival discovery adds anything of real significance to the piano icon’s legacy—particularly since the latest, Another Time: The Hilversum Concert, comes on the heels of two other Resonance sets from 1968, Live at Art D’Lugoff’s Top of the Gate and Some Other Time: The Lost Session From the Black Forest, as well as Fantasy’s On a Monday Evening, from 1976. The answer, in this case, is a decided yes, for completists and non-completists alike. ..." 

Jazz Times  

Discogs (Video) 

amazon 

YouTube: Another Time 1 / 9

Venice - Jan Morris (1960)

 
“Now that spring is bringing back its gentle warmth, it’s time to go travelling. Specifically, to Venice: a place that often seems like a feat of imagination as much as a real bricks-and-mortar city. A place that is forever being made and remade in fiction by writers as impressive and various as Shakespeare, Byron, Hemingway, Thomas Mann, Evelyn Waugh, Daphne Du Maurier, Goethe, Stendhal, Dante.  ... No one captures this elusive quality better than Jan Morris. We’re going to look at her 1960 classic Venice, as well as exploring the broader literature of Venice and its history. I’m also delighted to say that Jan Morris has agreed to answer questions from you about this book and her long, brilliant career.Just in case you don’t know why this is so very exciting, a quick overview.  ...”

No Papers, No Jobs: The New Street Vendors of Queens

“The stretch of Roosevelt Avenue in Queens teemed with people weaving their way through carts and stands that offered everything from sweet-scented roast corn to masks.The regular roar of the 7 train often drowned out the sound of haggling. On one corner, Cristina Sanchez stood forlornly at a produce stand. She had not sold a single thing. During the pandemic she had lost her job, and then her rented room, triggering a frantic hustle to survive: First she sold produce, then tacos, then produce again. ... She is among the city’s more than half a million undocumented immigrants whose lives have been upended by the pandemic but who are ineligible for most financial assistance, including stimulus money and loans. ...”

Atangana Records exhume sound treasures from mythical Guadeloupean studio

“The producer Henri Debs was a real visionary. The creator of Latin biguine, also called Creole salsa, this musical style thrilled the ‘Gran Moun ball’ generation, something we can relive the Mizik la ka dansé compilation. The Debs Studio, ran by Henri Debs in Guadeloupe, recorded the greatest tracks of Latin biguine, also known as Creole salsa. This visionary was addicted to music and production and gave 52 years of his life to Caribbean sounds. The first compilation from the Atangana Records label is the result of a year and a half of listening to his studio’s archives, a long job since they needed to whittle two hundred tracks down to twelve. Get ready to discover the Super Combo, Les Aiglons, Les Maxel’s, Lola Martin, Camille Soprane, Max and Henri, plus many more.  ...”

Cakes and Ale

 
“The club has six members. Maks and I bring the cake. Beth brings drinks. Talia sets out chairs in front of the bookshop. Penelope carries the metal grill and turns the shop sign to CLOSED. Follie, the black dog, goes wild. She jumps and licks and runs in circles. Then she goes in search of an empty bookshelf to curl into. We have a joke about Follie reading all the books inside while the club congregates on the shop terrace, across from the gates to the Luxembourg Gardens. It’s really not that funny. But somehow at a gathering, it can become hysterical. The club is called Cakes and Ale. That might be my favorite of Maugham’s books, though it’s Penelope who came up with the name. She’s been a bookseller for thirty-five years, which means that she’s a master punner. ...”

María Berrío

“Based in Brooklyn, María Berrío grew up in Colombia. Her large-scale works, which are meticulously crafted from layers of Japanese paper, reflect on cross-cultural connections and global migration seen through the prism of her own history. Populated predominantly by women, Berrío’s art often appears to propose spaces of refuge or safety, kaleidoscopic utopias which in the past have been inspired in part by South American folklore, where humans and nature coexist in harmony. To these apparently idealised scenes, however, Berrío brings to light the hard realities of present-day politics. ...”

Can America Restore the Rule of Law Without Prosecuting Trump?

“Early in November, as President Trump challenged the integrity of the election with baseless lawsuits, Joe Biden delivered his first speech as president-elect, declaring it a 'time to heal.' It was a phrase that many Americans were surely longing to hear, given the precarious state of the nation’s political culture. But it was also one that carried significant historical weight and possible implications for the future. ... Whether Biden intended to do so, his words provided an early signal about one of the first questions he is going to confront as president: What to do about Donald Trump? Biden faces many daunting challenges — mitigating the ongoing damage from the pandemic, repairing institutions, restoring faith in government — but how to deal with his predecessor’s flagrant and relentless subversion of the rule of law is in many ways the most vexing. Last year, one of Trump’s lawyers, William Consovoy, memorably argued in open court that a sitting president could shoot a man in public and not be prosecuted. ...”

NY Times (Audio)


2020 October: Trump

Robert Wyatt - Nothing Can Stop Us (1982)

“Founding member of art rock group Soft Machine, Robert Wyatt, helped set the tone of the sixties psychedelic scene in the UK. With his distinctive drumming and vocals, Wyatt attracted a massive following across Europe. An accident in 1973 left the drummer paralyzed forcing him to shift efforts on solo recordings. His distinct style of mixing simple and effective keyboard melody lines with poignant lyrics, often filled with personal and political references, have proved both haunting and reflective. Signing to Rough Trade in the early 80s, on the understanding from his former label Virgin that he wouldn't release any lps for a while, Wyatt released a series of singles of cover versions. The set was recorded with a straight, simple, beauty informed by the experience of geopolitics just as the term was being invented. ...”

2010 November: Robert Wyatt, 2012 October: Comicopera, 2013 March: The Last Nightingale, 2013 September: Solar Flares Burn for You (2003), 2014 March: Cuckooland (2003), 2014 October: Robert Wyatt Story (BBC Four, 2001), 2014 December: Different Every Time (2014), 2016 March: Interviews (2014), 2016 June: Dondestan (Revisited)(1998), 2016 September: Ruth Is Stranger Than Richard (1975), 2017 January: '68 (2013), 2017 May: Shleep (1997), 2020 January: Rock Bottom (1972)


No Walk Is Ever Wasted

“What are the politics of walking in the city? What are its poetics? In Nadja (1928), André Breton’s great surrealist novel, his autobiographical narrator at one point describes bringing a pile of books to a bar where he has made an arrangement to meet Nadja herself, who is fast becoming the object of his strange, not to say obsessive libidinal and spiritual investments. This pile of books includes a copy of Les pas perdus (1924), The Lost Steps, Breton’s first collection of essays, which he no doubt brings, along with the first Manifesto of Surrealism (1924), in an attempt both to educate her and aggrandize himself. ...”

Constantly Wrong: Filmmaker Kirby Ferguson Makes the Case Against Conspiracy Theories

“Discordian writer and prankster Robert Anton Wilson celebrated conspiracy theories as decentralized power incarnate. ‘Conspiracy is just another name for coalition,’ he has a character say in The Historical Illuminatus Chronicles. According to Wilson, any sufficiently imaginative group of people can make a fiction real. Another statement of his sounds more ominous, read in the light of how we usually think about conspiracy theory: ‘Reality is what you can get away with.’ When historian Richard Hofstadter diagnosed what he called ‘the paranoid style in American politics,’ he was quick to point out that it predated the ‘extreme right-wingers’ of his time by several hundred years. ...”

A Few Words about F. Scott Fitzgerald

“With Fitzgerald as with no one else in American literature save Poe, the biography gets in the way. Never mind that F. Scott Fitzgerald is the author of one exquisite short novel as perfect as anything in our literature and of another longer, more chaotic novel of tremendous emotional power. Never mind that he has written a couple of dozen stories that by any standard deserve the designation of ‘masterful.’ Ignoring those legacies, much of the general public still tends to think of him in connection with the legends of his disordered and difficult life, and to classify him under one convenient stereotype or another. So diminished in stature, Fitzgerald becomes the Chronicler of the Jazz Age, or the Artist in Spite of Himself, or – most prevalent stereotype of all – the Writer as Burnt-Out Case: a man whose tragic course functions as a cautionary tale for more commonsensical aftercomers. ...”

The Story Of The BBC Radiophonic Workshop

Before the Workshop: Daphne Oram manipulates a tape loop at Broadcasting House, watched by Frederick Bradnum, 1956 or '57.

50 years ago this month, the most celebrated electronic music studio in the world was established. We trace the history of the Radiophonic Workshop, talking to the composers and technical staff who helped to create its unique body of work. ... Although it never felt like a 'job', I did eventually get to work in the Radiophonic Workshop. I was only there for three months, but I've never stopped going on about it. Wouldn't you too, if you'd been lucky enough to have worked in the most famous electronic music studio in history?The story of the Radiophonic Workshop began half a century ago, in 1958. Britain in the 1950s was a bleak place, as the nation struggled to rebuild itself after the devastation of war. ...”

YouTube: The Radiophonic Workshop (Video)

Glenn Branca Interview: Sounds From the Subconscious

“’I had to squeeze the music out of that thing!’ Feel the good vibes in this laid back interview with legendary American avant-garde composer and noise-guitarist Glenn Branca, who has influenced bands like Sonic Youth. ‘I want people to do what they want to do, not what culture wants them to do.’ In this interview Glenn Branca talks about how he learned to play on a guitar which was really cheap and hard to play, and how he feels lucky to have been a young man in the ’60s, when there was an explosion of good music and lots of amazing sounds to get into. Branca is always looking for new sounds and his primary interest is ‘opening music up to ambiguity,’ he says. ...”

The Westward Journeys of Buttons Image

Above, top row, left to right People in other regions later produced ornamental buttons, too: Both of these carved, polished shell buttons were likely used on harnesses between the ninth and seventh centuries bce in Assyria; a button of gold with a male face relief was made between the eighth and seventh centuries bce and found in Megara, Greece; a finely tooled gold disc dates to a sixth-century-bce Etruscan site.

“From the rear storage room of her country cottage outside Budapest, Hungary, Sylvia Llewelyn holds up a framed display of antique buttons as if it were a portrait of a family member known for telling good stories. ‘This one is from China, and it’s made of jade. This one is glazed ceramic; this one is glazed turquoise. This one is made from apricot nut. You see this one here that looks like a cherry tomato? This is carnelian, the second hardest stone to jade, and it’s about 500 years old,’ she says, moving through her 4,000-piece collection, some of which are up to 1,500 years old. An antiques and art appraiser originally from London, Llewelyn is also the former owner of Old Buttons Shop in her town of Ráckeve. She is also the author of Old Buttons (Anno, 2011), a book of rare and artful buttons around the world. ...”

W. H. Auden - The Living Thoughts of Kierkegaard (1952)

“We think of Søren Kierkegaard as one of the poetic philosophers. His restless experimentation with the forms of his books, his many pseudonyms and his running battle against group thinking make him attractive to an anarchic sensibility. And he seems to fit our inborn existentialism, even to illuminate it with his leap into the absurd. This remains my view as an amateur coming to Kierkegaard through poetry—particularly the poetry of W. H. Auden, who lived in an era when Kierkegaard’s works were newly translated and widely influential on a range of theologians and scholars, including Karl Barth and Paul Tillich. The Dane, who lived from 1813 to 1855, seemed accessible and relevant, not only to a time of global conflict, but also to the personal conflicts experienced in relation to one’s identity, one’s apprehension of meaninglessness and the stultifying conventions of society. Above all, Kierkegaard wrote as a person in time, impatient with philosophical systems and a discourse of purified abstraction. ...”

Black Music History Library

“This digital library was born out of a need to make resources about Black music history as comprehensive and accessible as possible. It contains well over one thousand entries (and counting) in the form of books, articles, documentaries, series, radio segments, and podcasts about the Black origins of popular and traditional music, dating from the 18th century to the present day. These materials range from informal to scholarly, meaning there is something in the library for everyone. There are many notable archives doing similar work, yet it isn’t uncommon for some to have a limited view of Black music—one which fuels US-centrism and a preference for vernacular music traditions. ...”