Tuesday, July 18

Turner set free: Nature as roughhouse theater by W.S. Di Piero


The Burning of the Houses of Lords and Commons, 16 October, 1834; By JMW Turner
"Painters in mid-19th-century London, when installing exhibitions at official venues such as the Royal Academy of Art and the British Institution, brought not-quite-finished pictures to what were called Varnishing Days, where they discussed each other’s work and applied a finish to their pictures. J.M.W. Turner, especially in his later years, pushed the purpose of Varnishing Days to the extreme. He often brought work still in the early stages of completion then elaborated details, shaping narrative content and working up his most signature splashy effects. Turner never lacked a sense of self-drama, and these flamboyant displays, part mischief but mostly the natural consequence of the nervous energy he poured into his work, became notorious events. ..."
San Diego Reader

November 2007: J. M. W. Turner, 2009 April: Turner & Italy, 2011 June: J. M. W. Turner - 1, 2014 June: In Which We Find His Theory Of Color Implausible, 2014 May: Ruin Lust, 2014 September: The EY Exhibition: Late Turner – Painting Set Free, 2016 June: Turner’s Whaling Pictures, 2017 March: Turner’s Modern and Ancient Ports: Passages through Time

2016 March: W.S. Di Piero, 2016 December: Coney Island: Visions of an American Dreamland, 1861-2008, Josef Koudelka: Nationality Doubtful, 2017 March: March of time: 20th Century icons from an old art museum in Buffalo are at the Museum of Art, May 2017: In from the cold

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