Thursday, April 30
A Droning In The Eire: Jennifer Walshe On The Irish Avant-Garde
Zaftig Giolla (right middleground), Galway, 1929.
"There was this guy I went to school with, lived about a mile away from us. His grandfather was the principal of one of the three parish schools, back in the days before they were amalgamated into a single, yet still tiny, entity. That was in the late 70s I think, or around then. He wasn't that old then; 60, maybe 65, but a venerable civil servant all the same. Like many a civil servant in Ireland, he had things going on outside of the job that few people at the time really knew about. I guess his family knew, some of the parish probably did, but there were only ever hints of it publicly. He kept it mostly to the shed at the back of their house, itself a picturesque country home next to the parish hall, two storeys with a tall roof, cubic, squat but somehow elegant under the unnecessary shade of tall Douglas fir trees that dominated the front yard. Ivy was growing up the front of the house when I knew it, by which time it had been sold to a couple of German retirees. Master Madden was dead by then, and I never met him. ..."
Aisteach Institute Ireland (Video)
Historical Documents of the Irish Avant-Garde By Jennifer Walshe
YouTube: Jennifer Walshe's Historical Documents of the Irish Avant-Garde, #JenniferWalshe